SUBJECT INDEX:

ART:

History:

Modern (Late 19th Century to 1945)

Charles Sheeler and Cult of the Machine
Karen Lucic
Charles Sheeler (1886-1965) was one of the most noted American painters and photographers to embrace the iconography of the machine. But was he high priest or heretic in the religion of mass production and technology that dominated his era? Karen Lucic considers this intriguing question while telling us Sheeler's story, and showing us how Sheeler produced images of extraordinary aesthetic power that provocatively confirmed America's technological and industrial prestige in vivid detail.
Paperback
The Dada Painters and Poets
Edited by Robert Motherwell
Foreword by Jack D. Flam
The Dada Painters and Poets offers the authentic answer to the question "What is Dada?" This incomparable collection of essays, manifestos, and illustrations was prepared by Robert Motherwell with the collaboration of some of the major Dada figures: Marcel Duchamp, Jean Arp, and Max Ernst among others. Here in their own words and art, the principals of the movement create a composite picture of Dada--its convictions, antics, and spirit.
Paperback 1989
De Stijl 1917-1931
H. L. C. Jaffé
Here is the essential book on De Stijl, one of the longest lived and most influential of modern art movements. H. L. C. Jaffé recounts the history of this abstract movement, explains its artistic goals and practice, delineates its utopian ideology, and describes the special qualities of De Stijl painting, sculpture, architecture, and design.
Paperback 1986
Degas
Theodore Reff
Paperback
Dignity and Decadence
Richard Jenkyns

The starting point for Richard Jenkyn’s latest work is his contention that the Victorian age, which we think of as the great age of Gothic, was so shot through with the influence of the classical past that we should instead think of Victorian art and architecture as the continuing flow of two stylistic streams—the Gothic and the classical, side by side.

Hardcover 1992
The History of Surrealism
Maurice Nadeau
Translated by Richard Howard
Roger Shattuck
The History of Surrealism, first published in French in 1944 and in English in 1965, has become a classic. It is both lucid and authoritative--by far the best overall account of this complex movement. Nadeau traces the evolution of Surrealism, bringing to life its many internal debates about politics and art. He relates the movement to its intellectual and artistic environment. And he provides the statements and manifestos of Breton, Aragon, Tzara, and others.
Paperback
Interpreting Cézanne
Sidney Geist
Hardcover 1988
Manet's Silence and the Poetics of Bouquets
James Rubin
A sense of stillness and silence pervades Manet's painting. It is this silence that James Rubin explores in this book. Applying J. L. Austin's notion of the performative, which bridges the gap between language and action or between the painted image and its social effect, Rubin goes beyond past theorists to describe the curious ways in which Manet's paintings act upon us.
Paperback 1995 / Hardcover
Painting outside the Lines
David W. Galenson
In a work that brings new insights, and new dimensions, to the history of modern art, David Galenson examines the careers of more than 100 modern painters to disclose a fascinating relationship between age and artistic creativity.
Hardcover 2002
Primitivism in Modern Art
Robert Goldwater
This now classic study maps the profound effect of primitive art on modern, as well as the primitivizing strain in modern art itself. Robert Goldwater describes how and why works by primitive artists attracted modern painters and sculptors, and he delineates the differences between what is truly primitive or archaic and what intentionally embodies such elements.
Paperback 1986