Liu Yuan’s Lingyan ge, a woodblock-printed book from 1669, re-creates a portrait gallery that memorialized 24 vassals of the early Tang court. This study examines the dialogues created among the texts and images in Lingyan ge from multiple perspectives. Anne Burkus-Chasson argues that despite a general epistemological shift toward visual forms of knowledge in the seventeenth century, looking and reading were still seen as being in conflict. This conflict plays out among the leaves of Liu Yuan’s book.

In this enlightening book, with a new preface and postscript for the Anglophone audience, Maurice Olender investigates the unsuspected links between erudition and race, showing the affinities between the social sciences and the concept of “race.” The book provides an accessible and lucid pathway through the labyrinth of race and erudition and examines how to deal with diversity without the problematic heritage of racial stereotypes.

This study revolves around the career of Kobayashi Hideo (1902–1983), one of the seminal figures in the history of modern Japanese literary criticism, whose interpretive vision was forged amidst the cultural and ideological crises that dominated intellectual discourse between the 1920s and the 1940s. Although his interweaving of aesthetics and ideology exhibited elements of both resistance and complicity, his critical ethos served ultimately to undergird his wartime fascist stance by encouraging acquiescence to authority, championing patriotism, and calling for more vigorous thought control.

This book is about the Homeric figure Nestor. This study is important because it reveals a level of deliberate irony in the Homeric poems that has hitherto not been suspected, and because Nestor’s role in the poems, which is built on this irony, is a key to the circumstances of the poems’ composition. Interpreted in the context of the Indo-European twin myth, Nestor’s role clearly points beyond itself to the key question in Homeric studies: the circumstances of the poems’ composition.

Homer the Classic is about the reception of Homeric poetry from the fifth through the first century BCE. The aim of this book, which centers on ancient concepts of Homer as the author of a body of poetry that we know as the Iliad and the Odyssey, is not to reassess the oral poetic heritage of Homeric poetry but to show how it became a classic in the days of the Athenian empire and later. This volume is one of two books stemming from six Sather Classical Lectures given in the spring semester of 2002 at the University of California at Berkeley while the author was teaching there as the Sather Professor.

The world has long wished for more of Sappho’s poetry, which exists mostly in tantalizing fragments. This volume is the first collection of essays in English devoted to discussion of a newly recovered Sappho poem and two other incomplete texts on the same papyri. Using different approaches, the contributions demonstrate how the “New Sappho” can be appreciated as a complete, gracefully spare poetic statement regarding the painful inevitability of death and aging.

From the Iliad to Aristophanes, from the gospel of Matthew to Augustine, Greek and Latin texts are constellated with descriptive images of dreams. This cultural history of dreams in antiquity draws on both contemporary post-Freudian science and careful critiques of the ancient texts. Harris takes an elusive subject and writes about it with rigor and precision, reminding us of specificities, contexts, and changing attitudes through history.

Since the 1950s, Abe Kobo (1924–1993) has achieved an international reputation for his surreal or grotesque brand of avant-garde literature. Christopher Bolton explores how this reconciliation of ideas and dialects is for Abe part of the process whereby texts and individuals form themselves—a search for identity that must take place at the level of the self and society at large.

“Be always converting, and be always converted; turn us again, O Lord,” Thomas Shepard urged his Cambridge congregation in the 1640s. Rob Wilson’s reconceptualization of the American project of conversion begins with the story of Henry ‘Opukaha‘ia, the first Hawaiian convert to Christianity, “torn from the stomach” of his Native Pacific homeland and transplanted to New England. Wilson argues that ‘Opukaha‘ia’s conversion is both remarkable and prototypically American, because he dared to redefine himself via this drive to rebirth.

Marco Girolamo Vida (1485–1566), humanist and bishop, came to prominence as a Latin poet in the Rome of Leo X and Clement VII. It was Leo who commissioned his famous epic, the Christiad, a retelling of the life of Christ in the style of Vergil, which was eventually published in 1535. This translation, accompanied by extensive notes, is based on a new edition of the Latin text.

Jacopo Sannazaro (1456–1530) is most famous for having written, in Italian, the first pastoral romance in European literature, the Arcadia (1504). But after this early work, Sannazaro devoted himself entirely to Latin poetry modeled on his beloved Vergil. In addition to his epic The Virgin Birth (1526), which earned him the title of “the Christian Vergil,” he also composed Piscatory Eclogues, an innovative adaption of the eclogue form. This volume contains the first complete English translation of all of Sannazaro’s poetry in Latin, accompanied by extensive notes.

A Socratic dialogue set in the court of King Mattias Corvinus of Hungary (ca. 1490), Aurelio Lippo Brandolini’s Republics and Kingdoms Compared depicts a debate between the king himself and a Florentine merchant at his court on the relative merits of republics and kingdoms. This is the first critical edition and the first translation into any language.

Brian Boyd explains why we tell stories and how our minds are shaped to understand them. After considering art as adaptation, Boyd examines Homer’s Odyssey and Dr. Seuss’s Horton Hears a Who! demonstrating how an evolutionary lens can offer new understanding and appreciation of specific works. Published for the bicentenary of Darwin’s birth and the 150th anniversary of the publication of Origin of Species, Boyd’s study embraces a Darwinian view of human nature and art, and offers a credo for a new humanism.

In The Program Era, Mark McGurl offers a fundamental reinterpretation of postwar American fiction, asserting that it can be properly understood only in relation to the rise of mass higher education and the creative writing program. An engaging and stylishly written examination of an era we thought we knew, The Program Era will be at the center of debates about postwar literature and culture for years to come.

Grafton reveals the microdynamics of the scholarly life through a series of essays on institutions and on scholars ranging from early modern polymaths to modern intellectual historians to American thinkers and writers. When many of our fellow citizens seem to have forgotten why we collect books in the buildings we call libraries, Grafton’s engaging, erudite essays could be a rallying cry for the revival of the liberal arts.

In a masterful study Carl Richard explores how the Greek and Roman classics became enshrined in American antebellum culture. For the first time, knowledge of the classics extended beyond aristocratic males to the middle class, women, African Americans, and frontier settlers. The Civil War led to a radical alteration of the educational system in a way that steadily eroded the preeminence of the classics. 

This volume is a bilingual collection of shaman oral texts from the Bhuji Valley of Western Nepal, in the original Nepali and with line-by-line English translation. Accompanying the book is a DVD of audio recordings of the shaman oral texts, supplementary texts not included in the published volume, videos of shaman performances, and additional video and photographic documentation of the social context in which these shamans are found.

The more than two dozen Rai languages in eastern Nepal, which make up the larger part of the Kiranti language family, are linguistically highly varied. This volume, which includes introductory chapters to Rai mythology and Rai grammar, for the first time brings together different variants of myths from various Rai languages, presenting them with linguistic glossings in interlinear translations. The book is of special interest to linguists, anthropologists, and folklorists with a focus on the Himalayas.

This book examines the revolution in Sanskrit poetics initiated by the ninth-century Kashmiri Anandavardhana. Anandavardhana replaced the formalist aesthetic of earlier poeticians with one stressing the unifunctionality of literary texts, arguing that all components of a work should subserve a single purpose—the communication of a single emotional mood (rasa). Attention was redirected from formal elements toward specific poems, viewed as aesthetically integrated wholes, thereby creating new literary critical possibilities.