Accidental Incest, Filial Cannibalism, and Other Peculiar Encounters in Late Imperial Chinese Literature
Tina Lu
Writers of late imperial fiction and drama were, Lu argues, deeply engaged with questions about the nature of the Chinese empire and of the human community. This book traces how these political questions were addressed in fiction through extreme situations: husbands and wives torn apart in periods of political upheaval, families so disrupted that incestuous encounters become inevitable, times so desperate that people have to sell themselves to be eaten.
Hardcover 2008
Beacon Fire and Shooting Star
Xiaofei Tian
The Liang dynasty (502-557) was one of the most brilliant and creative periods in Chinese history and is one of the most underestimated and misunderstood. This book is devoted to contextualizing the literary culture of this era, exploring not only the literary works themselves but also the processes of literary production and the intricate interactions of religion and literature.
Hardcover 2007
A Bibliography of Studies and Translations of Modern Chinese Literature, 1918-1942
Donald Gibbs
Yun-chen Li
Hardcover 1975
The Invention of Li Yu
Patrick Hanan
Li Yu, 1610-1680, was a brilliant comic writer and entertainer, a thoroughgoing professional whose life was in his work-plays, stories, a novel, criticism, essays, and poems. Hanan places him in the society of his day, where even his precarious livelihood, his constant search for patronage, did not dampen his versatility, his irreverent wit, or his jocund spirit. Li was an exceptional figure in Chinese culture for two reasons: his disregard of the authority of tradition, and his dedication to the cause of comedy.
Hardcover 1988
Mi-lou
Stephen Owen
Hardcover 1989
Modern Chinese Literature in the May Fourth Era
Merle Goldman, Editor
One of the most creative and brilliant episodes in modern Chinese history, the cultural and literary flowering that takes the name of the May Fourth Movement, is the subject of this comprehensive and insightful book. This is the first study of modern Chinese literature that shows how China's Confucian traditions were combined with Western influences to create a literature of new values and consciousness for the Chinese people.
Paperback
The Naked Gaze
Carlos Rojas
This volume focuses on tropes of visuality and gender to reflect on shifting understandings of the significance of Chineseness, modernity, and Chinese modernity. Through detailed readings of narrative works by eight authors of the nineteenth and twentieth centuries, the study identifies three distinct constellations of visual concerns corresponding to the late imperial, mid-twentieth century, and contemporary periods, respectively.
Hardcover 2008
Neo-Confucianism in History
Peter K. Bol
The book argues that as Neo-Confucians put their philosophy of learning into practice in local society, they justified a new social ideal in which society at the local level was led by the literati with state recognition and support.
Hardcover 2008
Reading Tao Yuanming
Wendy Swartz
Tao Yuanming (365?–427), although dismissed as a poet following his death, is now considered one of China’s greatest writers. This study of the posthumous reputation of a central figure in Chinese literary history, the mechanisms at work in the reception of his works, and the canonization of Tao himself and of particular readings of his works sheds light on the transformation of literature and culture in premodern China.
Hardcover 2008
Worrying about China
Gloria Davies
What can we do about China? Davies pursues this inquiry through a wide range of contemporary topics, including the changing fortunes of radicalism, the peculiarities of Chinese postmodernism, shifts within official discourse, attempts to revive Confucianism for present-day China, and the historically problematic engagement of Chinese intellectuals with Western ideas.
Hardcover 2007