SUBJECT INDEX:

MUSIC:

Genres & Styles

Analog Days
Trevor Pinch
Frank Trocco
Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in Switched-On Bach, from its contribution to the San Francisco psychedelic sound, to its wholesale adoption by the worlds of film and advertising, Analog Days conveys the excitement, uncertainties, and unexpected consequences of a new technology that would provide the soundtrack for a critical chapter of our cultural history.
Hardcover 2002 / Paperback 2004
Arnold Schoenberg's Journey
Allen Shawn
Proposing that Arnold Schoenberg has been more discussed than heard, more tolerated than loved, Allen Shawn puts aside ultimate judgments about Schoenberg's place in music history to explore the composer's fascinating world in a series of linked essays--"soundings"--that are both searching and wonderfully suggestive. Approaching Schoenberg primarily from the listener's point of view, Shawn plunges into the details of some of Schoenberg's works while at the same time providing a broad overview of his involvements in music, painting, and the history through which he lived.
Paperback 2003
Bach
Christoph Wolff
Hardcover 1991 / Paperback
Bach and the Patterns of Invention
Laurence Dreyfus
In this major new interpretation of the music of J.S. Bach, we gain a striking picture of the composer as a unique critic of his age. By reading Bach's music "against the grain" of contemporaries, Laurence Dreyfus explains how Bach's approach to musical invention posed a fundamental challenge to Baroque aesthetics.
Hardcover 1997 / Paperback 2004
Bach's Continuo Group
Laurence Dreyfus
Paperback 1990
Ballads and Sea-Songs of Newfoundland
Elizabeth Bristol Greenleaf
Grace Yarrow Mansfield
Hardcover 1933
Beethoven
Lewis Lockwood
Hardcover 1992
Beethoven Essays
Maynard Solomon
Hardcover 1988 / Paperback 1990
Beethoven Essays
Lewis Lockwood, Editor
Phyllis Benjamin, Editor
Hardcover 1984
Berlioz
D. Kern Holoman
For three decades, beginning with the Symphonie fantastique composed in 1830, Berlioz and his music embodied the élan and exuberance of the Romantic era. This captivating and sumptuously illustrated biography is not only a complete account of Berlioz's life, but an acute analysis of his compositions and description of his work as conductor and critic, as well as a vivid picture of his musical world. D. Kern Holoman paints a full-length portrait of Berlioz: his personal and family life, his intellectual development and pursuits, his methods of composing (Berlioz at his work table, so to speak), the aim and style of his music criticism and travel writing, his innovations in staging and conducting performances, and his interaction with other composers.
Hardcover 1989
Born in Flames
Howard Hampton
Twenty years as an outsider scouring the underbelly of American culture has made Howard Hampton a uniquely hardnosed guide to the heart of pop darkness. Bridging the fatalistic, intensely charged space between Apocalypse Now Redux and Nirvana's "Smells Like Teen Spirit," his writing breaks down barriers of ignorance and arrogance that have segregated art forms from each other and from the world at large. Born in Flames is a headlong plunge into the passions and disruptive power of art.
Hardcover 2007 / Paperback 2008
Brahms and the German Spirit
Daniel Beller-McKenna
Beller-McKenna counters music historians's reluctance to address Brahms's Germanness, wary perhaps of fascist implications. He gives an account of the intertwining of nationalism, politics, and religion that underlies major works, and enriches both our understanding of his art and German culture.
Hardcover 2004
The Century of Bach & Mozart
Edited by Thomas Forrest Kelly
Edited by Sean Gallagher
For many today Johann Sebastian Bach and Wolfgang Amadeus Mozart stand as towering representatives of European music of the eighteenth century, composers whose works reflect intellectual, religious, and aesthetic trends of the period. This collection of essays by leading authorities in the field offers a variety of new perspectives on the two composers, as well as some of their important contemporaries, Haydn in particular.
Hardcover 2008
Chopin at the Boundaries
Jeffrey Kallberg
The complex status of Chopin in our culture--he was a native Pole and adopted Frenchman, and a male composer writing in "feminine" genres--is the subject of Jeffrey Kallberg's absorbing book. Combining social history, literary theory, musicology, and feminist thought, this is the first book to situate Chopin's music within the construct of his somewhat marginal sexual identity.
Hardcover 1996 / Paperback 1998
Compositional Theory in the Eighteenth Century
Joel Lester
Compositional Theory in the Eighteenth Century is the most comprehensive account ever given of the theory behind the music of Baroque and Classical composers, from Bach to Beethoven. While giving preeminent theorists their due in this panoramic survey of musical thought, Joel Lester also examines the works of more than one hundred seventeenth- and eighteenth century writers to show how prominent theories were received and applied in actual teaching situations. Beginning with the influence of Zarlino and seventeenth-century theorists, Lester then focuses on central traditions emerging from definitive works in the early eighteenth century. Lester's historic overview is leavened throughout with accounts of individual composers grappling with theoretical issues.
Paperback
Dancing in the Street
Suzanne E. Smith
Detroit in the 1960s was a city with a pulse: people were marching in step with Martin Luther King, Jr.; dancing in the street with Martha and the Vandellas; facing off with city police. Through it all, Motown provided the beat. This book tells the story of Motown--as both musical style and entrepreneurial phenomenon--and of its intrinsic relationship to the politics and culture of Motor Town, USA. Here we see Motown's music not as the mere soundtrack for its historical moment but as an active agent in the civil rights movement and the politics of the time.
Hardcover 2000 / Paperback 2001
Dead Elvis
Greil Marcus
As he listens in on the public conversation that recreates Elvis after death, Marcus tracks the path of Presley's resurrection. He grafts together scattered fragments of the eclectic dialogue--snatches of movies and music, books and newspapers, photographs, posters, cartoons--and amazes us with not only what America has been saying as it raises its late king, but also what this strange obsession with a dead Elvis can tell us about America itself.
Paperback 1999
Folk-Songs of the South
Edited by John Harrington Cox
Hardcover 1925
Freedom Is, Freedom Ain't
Scott Saul
In the long decade between the mid-fifties and the late sixties, jazz was changing more than its sound. The age of Max Roach's Freedom Now Suite, John Coltrane's A Love Supreme, and Charles Mingus's The Black Saint and the Sinner Lady was a time when jazz became both newly militant and newly seductive, its example powerfully shaping the social dramas of the Civil Rights movement, the Black Power movement, and the counterculture. Freedom Is, Freedom Ain't is the first book to tell the broader story of this period in jazz--and American--history.
Hardcover 2003 / Paperback 2005
Grown Up All Wrong
Robert Christgau
Two generations of American music lovers have grown up listening with Robert Christgau, attuned to his inimitable blend of judgment, acuity, passion, erudition, wit, and caveat emptor. His writings, collected here, constitute a virtual encyclopedia of popular music over the past fifty years, ranging from the 1950s singer-songwriter tradition through hip-hop, alternative, and beyond. With unfailing style and grace, Christgau negotiates the straits of great music and thorny politics, and commerce.
Hardcover 1998 / Paperback 2000
Handel as Orpheus
Ellen T. Harris
Handel wrote over 100 cantatas, compositions for voice and instruments that describe the joy and pain of love. In the first comprehensive study of the cantatas, Harris investigates their place in Handel's life as well as their extraordinary beauty. This work brings greater understanding of Handel's development as a composer and new insight into the role of sexuality in artistic expression.
Hardcover 2002 / Paperback 2004
Haydn and the Classical Variation
Elaine R. Sisman
Hardcover
I-VI
John Cage
Mixed 1990 / Mixed
In the Fascist Bathroom
Greil Marcus
Was punk just another moment in music history? Greil Marcus, author of the renowned Lipstick Traces, delves into the after-life of punk as a much richer phenomenon--a form of artistic and social rebellion that continually erupts into popular culture. In more than seventy short pieces written over fifteen years, he traces the uncompromising strands of punk from Johnny Rotten to Elvis Costello, Sonic Youth, even Bruce Springsteen.
Paperback 1999
Inside Beethoven's Quartets
Lewis Lockwood
Joel Smirnoff
Ronald Copes
Samuel Rhodes
Joel Krosnick
The string quartets of Ludwig van Beethoven have rewarded the engagement of scholars, performers, and audiences for almost two hundred years. This book and its accompanying recording invite you to experience three of these profound and beautiful works of music from the inside, with a renowned Beethoven scholar and the Julliand Quartet as your guides.
Mixed 2008
Keyboard Music from the Andreas Bach Book and the Möller Manuscript
Robert Hill, Editor
Foreword by Christoph Wolff
Paperback 1991
The King's Theatre Collection
Morris S. Levy
John Milton Ward
With over 1,400 entries and 33 illustrations, this volume provides a window into the historical significance of the King's Theatre to the cultural life of London and abroad, and will appeal to musicologists, historians, theater scholars, and librarians interested in eighteenth- and nineteenth-century opera and ballet.
Paperback 2006
The King's Theatre Collection
Morris S. Levy
John Milton Ward
The John Milton and Ruth Neils Ward Collection of the Harvard Theatre Collection is comprised of thousands of books, scores, librettos, playbills, illustrations, and ephemera relating to public performances that incorporate music and dance in an essential way. With over 1,600 entries and 40 color illustrations, this volume provides a window into the historical significance of the King's Theatre to the cultural life of London and abroad.
Paperback 2006
Late Idyll
Reinhold Brinkmann
Peter Palmer, Translator
In this elegant book, premier musicologist Reinhold Brinkmann guides us through Brahms's "Second Symphony," examining musical ideas in all their compositional facets and placing them in the context of major trends in the intellectual history of late nineteenth-century Europe.
Paperback 1997 / Hardcover
The Letters of Franz Liszt to Olga von Meyendorff, 1871-1886
Franz Liszt
Translated by William R. Tyler
Introduction and notes by Edward N. Waters
Hardcover 1979
Magic Circles
Devin McKinney
Delving into concerts and interviews, films and music, outtakes and bootlegs, Devin McKinney brings to bear the insights of history, aesthetics, sociology, psychology, and mythology to account for the depth and resonance of the Beatles' impact. His book is also a uniquely multifaceted appreciation of the group's artistic achievement, exploring their music as both timeless expression and visceral response to their historical moment.
Hardcover 2003 / Paperback 2004
Motives for Allusion
Christopher Alan Reynolds
When a critic pointed out to Brahms that the finale theme in his First Symphony was remarkably similar to the Ode to Joy theme in Beethoven's Ninth, he is said to have replied: "Yes indeed, and what's really remarkable is that every jackass notices this at once." Not every musical borrowing is quite so obvious; but the listener who does perceive one is always left wondering: what does the similarity mean? In this illuminating book Christopher Reynolds gives us answers to that complex question. He identifies specific borrowings or allusions in a wide range of nineteenth-century music and shows the kinds of things composers do with borrowed musical ideas.
Hardcover 2003
Mozart
Alan Tyson
The results and implications of Alan Tyson's work on Mozart have had a profound impact on virtually every aspect of research on this composer: biography, chronology of compositions, working methods, stylistic analysis. This book assembles his major articles, previously scattered through magazines, journals, and festschrifts, plus two unpublished pieces, into a treasure trove for musicologists and music lovers. Tyson's style is clear and elegant, and the originality of his work and the soundness of his inferences make this book a pleasure.
Hardcover 1987 / Paperback 1990
Music Manuscripts at Harvard
Barbara Wolff
A catalogue of music manuscripts from the 14th to the 20th centuries in the Houghton Library and the Eda Kuhn Loeb Music Library. Includes descriptions of works by Bach, Liszt, Mahler, Mozart, Purcell, Schoenberg, Schubert, Strauss, Wagner, and many others.
Paperback 2005
Music and Imagination
Aaron Copland
Hardcover 1952 / Paperback
On the Trail of Negro Folk-Songs
Dorothy Scarborough
Hardcover 1925
Opera
Linda Hutcheon
Michael Hutcheon
Our modern narratives of science and technology can only go so far in teaching us about the death that we must all finally face. Might opera, an art form steeped in death, teach us how to die, as this provocative work suggests? In Opera: The Art of Dying a physician and a literary theorist bring together scientific and humanistic perspectives on the lessons on living and dying that this extravagant and seemingly artificial art imparts.
Hardcover 2004
The Operas of Alessandro Scarlatti, Volume IX, La Statira
Alessandro Scarlatti, By (composer) Composer of music
William C. Holmes, Editor
Paperback 1985
The Operas of Alessandro Scarlatti, Volume V, Massimo Puppieno
Alessandro Scarlatti, By (composer) Composer of music
Edited by Colin Slim
Paperback 1979
The Operas of Alessandro Scarlatti, Volume VI, La Caduta dé Decemviri
Alessandro Scarlatti, By (composer) Composer of music
Edited by Hermine Weigel Williams
Paperback 1980
The Operas of Alessandro Scarlatti, Volume VII, Gli Equivoci nel Sembiante
Alessandro Scarlatti, By (composer) Composer of music
Edited by Frank A. D'Accone
Paperback 1982
The Operas of Alessandro Scarlatti, Volume VIII, Tigrane
Alessandro Scarlatti, By (composer) Composer of music
Edited by Michael Collins
Paperback 1983
Orientations
Pierre Boulez
Jean-Jacques Nattiez, Editor
Martin Cooper, Translator
Hardcover 1986 / Paperback 1990
Performing Rites
Simon Frith
In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject--and discloses their place at the very center of the aesthetics that structure our culture and color our lives.
Hardcover 1996 / Paperback 1998
Pierre Boulez
Dominiqu Jameux
Susan Bradshaw, Translator
Hardcover
Poetics of Music in the Form of Six Lessons
Igor Stravinsky
Hardcover 1970 / Paperback 1993
Pyramids at the Louvre
Glenn Watkins
Hardcover
A Right to Sing the Blues
Jeffrey Melnick
"Black-Jewish relations," Jeffrey Melnick argues, has mostly been a way for American Jews to talk about their ambivalent racial status, a narrative collectively constructed at critical moments, when particular conflicts demand an explanation. Remarkably flexible, this narrative can organize diffuse materials into a coherent story that has a powerful hold on our imagination. Melnick elaborates this idea through an in-depth look at Jewish songwriters, composers, and perfomers who made "Black" music in the first few decades of this century.
Hardcover 1999 / Paperback 2001
Robert Schumann
Jon W. Finson
Arguably no other nineteenth-century German composer was as literate or as finely attuned to setting verse as Robert Schumann. Finson challenges long-standing assumptions about Schumann's Lieder, engaging traditionally held interpretations. Arranged in part thematically, rather than merely by strict compositional chronology, this book speaks to the heart of Schumann's music.
Hardcover 2008
The Romantic Generation
Charles Rosen
What Charles Rosen's celebrated book The Classical Style did for music of the Classical period, this highly praised volume does for the Romantic era. An exhilarating exploration of the musical language, forms, and styles of the Romantic period, it captures the spirit that enlivened a generation of composers and musicians, and in doing so it conveys the very sense of Romantic music.
Hardcover 1995 / Paperback 1998
The Sex Revolts
Simon Reynolds
Joy Press
The first book to look at rock rebellion through the lens of gender, The Sex Revolts captures the paradox at rock's dark heart--the music is often most thrilling when it is most misogynistic and macho. And, looking at music made by female artists, the authors ask: must it always be this way? Provocative and passionately argued, the book walks the edgy line between a rock fan's excitement and a critic's awareness of the music's murky undercurrents.
Paperback 1996 / Hardcover
The String Quartets of Haydn, Mozart, and Beethoven
Christoph Wolff
Hardcover 1981
Swing Changes
David W. Stowe
Bands were playing, people were dancing, the music business was booming. It was the big-band era, and swing was giving a new shape and sound to American culture. Swing Changes looks at New Deal America through its music and shows us how the contradictions and tensions within swing--over race, politics, its own cultural status, the role of women--mirrored those played out in the larger society. Drawing on memoirs, oral histories, newspapers, magazines, recordings, photographs, literature, and films, Swing Changes offers a vibrant picture of American society at a pivotal time, and a new perspective on music as a cultural force.
Paperback 1996 / Hardcover 1998
Thematic Catalogue of the Works of Giovanni Battista Sammartini
Newell Jenkins
Bathia Churgin
Hardcover 1976
This Is Pop
Eric Weisbard
About the vast and diverse topic of pop music, scholars and critics, journalists and musicians have much to say, but rarely to each other. A crossover venture begun at Seattle's Experience Music Project, this book captures the academic and the critical, the musical and the literary in an impromptu dialogue that suggests the breadth and vitality of pop inquiry today. Robert Christgau and Gary Giddins, pivotal critics, encounter Simon Frith and Robert Walser, pioneers in the study of popular music. Musicians Carrie Brownstein and Sarah Dougher, both active in the riot grrl scene of the Pacific Northwest, examine how audience responses affect their craft. John Darnielle, of the Mountain Goats attends to the web postings of hair metal fans. This Is Pop illustrates what can happen when the best of scholarship, criticism, and pop's inherent unruliness intersect.
Paperback 2004 / Hardcover 2004
Wagner Handbook
Ulrich Muller, Editor
Peter Wapnewski, Editor
John Deathridge, Translation Editor
Hardcover
When We Were Good
Robert S. Cantwell
When We Were Good traces the many and varied cultural influences on the folk revival of the late fifties and sixties. In his capacious analysis of the ideologies, traditions, and personalities that created an extraordinary moment in American popular culture, Cantwell explores the idea of folk at the deepest level. Taking up some of the more obdurate problems in cultural studies--racial identity, art and politics, regional allegiances, class differences--he shows how the folk revival was a search for authentic democracy, with compelling lessons for our own time.
Hardcover 1996 / Paperback 1997