THE BERNARD BERENSON LECTURES ON THE ITALIAN RENAISSANCE DELIVERED AT VILLA I TATTI
Cover: Giotto and His Publics: Three Paradigms of Patronage, from Harvard University PressCover: Giotto and His Publics in HARDCOVER

Giotto and His Publics

Three Paradigms of Patronage

Add to Cart

Product Details

HARDCOVER

$41.00 • £32.95 • €37.00

ISBN 9780674050808

Publication Date: 05/01/2011

Short

256 pages

5-1/4 x 8 inches

13 color illustrations, 3 maps

The Bernard Berenson Lectures on the Italian Renaissance Delivered at Villa I Tatti

World

This probing analysis of three works by Giotto and the patrons who commissioned them goes far beyond the clichés of Giotto as the founding figure of Western painting. It traces the interactions between Franciscan friars and powerful bankers, illuminating the complex interplay between mercantile wealth and the iconography of poverty.

Political strife and religious faction lacerated fourteenth-century Italy. Giotto’s commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto’s path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi.

These murals were executed during a twenty-year period when internal tensions divided the friars themselves and when the Order was confronted by a radical change of papal policy toward its defining vow of poverty. The Order had amassed great wealth and built ostentatious churches, alienating many Franciscans in the process and incurring the hostility of other Orders. Many elements in Giotto’s frescoes, including references to St. Peter, Florentine politics, and church architecture, were included to satisfy patrons, redefine the figure of Francis, and celebrate the dominant group within the Franciscan brotherhood.

Recent News

From Our Blog

Jacket, Menander Rhetor. Dionysius of Halicarnassus, Ars Rhetorica, edited and translated by William H. Race, Loeb Classical Library, Harvard University Press

Speech! Speech!

Loeb Classical Library General Editor Jeffrey Henderson introduces four new volumes on oratory and rhetoric. In spring 2019 the Loeb Classical Library significantly expands its coverage in an area central to public life in both Greece and Rome: the theory and practice of formal speech. Already in Homer’s Iliad, heroism required

‘manifold glories of classical Greek and Latin’

The digital Loeb Classical Library (loebclassics.com) extends the founding mission of James Loeb with an interconnected, fully searchable, perpetually growing virtual library of all that is important in Greek and Latin literature.