HARVARD-YENCHING INSTITUTE MONOGRAPH SERIES
Cover: Drifting among Rivers and Lakes: Southern Song Dynasty Poetry and the Problem of Literary History, from Harvard University PressCover: Drifting among Rivers and Lakes in HARDCOVER

Harvard-Yenching Institute Monograph Series 86

Drifting among Rivers and Lakes

Southern Song Dynasty Poetry and the Problem of Literary History

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Product Details

HARDCOVER

$59.95 • £44.95 • €54.00

ISBN 9780674073227

Publication: November 2013

Text

538 pages

6 x 9 inches

Harvard University Asia Center > Harvard-Yenching Institute Monograph Series

World, subsidiary rights restricted

What drives literary change? Does literature merely follow shifts in a culture, or does it play a distinctive role in shaping emergent trends? Michael Fuller explores these questions while examining the changes in Chinese shi poetry from the late Northern Song dynasty (960–1127) to the end of the Southern Song (1127–1279), a period of profound social and cultural transformation.

Shi poetry written in response to events was the dominant literary genre in Song dynasty China, serving as a central form through which literati explored meaning in their encounters with the world. By the late Northern Song, however, old models for meaning were proving inadequate, and Daoxue (Neo-Confucianism) provided an increasingly attractive new ground for understanding the self and the world. Drifting among Rivers and Lakes traces the intertwining of the practice of poetry, writings on poetics, and the debates about Daoxue that led to the cultural synthesis of the final years of the Southern Song and set the pattern for Chinese society for the next six centuries. Examining the writings of major poets and Confucian thinkers of the period, Fuller discovers the slow evolution of a complementarity between poetry and Daoxue in which neither discourse was self-sufficient.