After Beethoven
The Imperative of Originality in the Symphony
Mark Evan Bonds
Introduction
1. The Voice of Tradition and the Voice from Within
The Crisis of the Symphony after Beethoven
2. Sinfonia anti-eroica
Berlioz's Harold en Italic
3. The Flight of Icarus
Mendelssohn's Lobgesang
4. Going to Extremes
Schumann's Fourth Symphony
5. The Ideology of Genre
Brahm's First Symphony
6. Ambivalent Elysium
Mahier's Fourth Symphony
Selected Bibliography
Index

