Dumbarton Oaks Papers 53

Dumbarton Oaks

    • John Duffy, “Embellishing the Steps: Elements of Presentation and Style in the Heavenly Ladder of John Climacus”
    • A. R. Littlewood, “The Byzantine Letter of Consolation in the Macedonian and Komnenian Periods”
    • Tomas Hägg, “Photius as a Reader of Hagiography: Selection and Criticism”
    • Ruth Webb, “The Aesthetics of Sacred Space: Narrative, Metaphor and Motion in Ekphraseis of Church Buildings”
    • Alice-Mary Talbot, “Epigrams in Context: Metrical Inscriptions on Art and Architecture of the Palaiologan Era”
    • Margaret Alexiou, “Ploys of Performance: Games and Play in the Ptochoprodromic Poems”
    • Panagiotis A. Agapitos, “Dreams and the Spatial Aesthetics of Narrative Presentation in Livistros and Rhodamne”
    • Nancy P. Sevcenko, “The Vita Icon and the Painter as Hagiographer”
    • Cynthia Hahn, “Narrative on the Golden Altar of Sant'Ambrogio in Milan: Presentation and Reception”
    • Henry Maguire, “The Profane Aesthetic in Byzantine Art and Literature”
    • Christian Hannick, “Exégèse, typologie et rhétorique dans l'hymnographie Byzantine”
    • Antony Eastmond, “Narratives of the Fall: Structure and Meaning in the Genesis Frieze at Hagia Sophia, Trebizond”
    • Mark J. Johnson, “The Lost Royal Portraits of Gerace and Cefalù Cathedrals”
    • George C. Maniatis, “Organization, Market Structure, and Modus Operandi of the Private Silk Industry in Tenth-Century Byzantium”
    • C. S. Lightfoot et al., “The Amorium Project: The 1997 Study Season”
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