A Principality of its Own
40 Years of Visual Arts at the Americas Society
Edited by José Luis Falconi
Edited by Gabriela Rangel
Foreword by Patricia Phelps de Cisneros
Acknowledgments
Foreword
Patricia Phelps de Cieneros
Introduction: Tract of Time
Gabriela Rangel M.
Part I: Institutional History
Latin American Art at the Americas Society: A Principality of its Own
Beverly Adams
Looking South: Strategic Visions, Tactical Revisions
Luís Pérez Oramas
Exhibitions and Narrations: Argentine ARt at the CIAR/AS
Andrea Giunta
The Americas Society and the Invention of the History of Brazilian Photography
Paulo Herkenhoff
Between the National and Transnational: Aspects of Exhibiting Modern and Contemporary Mexican Art at the Americas Society
Anna Indych-López
Pan-American Visions and the Exhibition of Colonial Art at the Americas Society 1976-1997
Sofia Sanabrais
Part II: Artist's Project
Incas Room
A project by Alexander Apóstol
Part III: Moments, Media, and Themes
About Thirty Years Ago: Michael Snow's 1972 Solo Exhibition
John Pruitt
Resources of the Real: Latin American Photography at the Americas Society, 1967-2006
José Luis Falconi
Media, Sculpture, Myth
Alex Alberro
A Situation of Time: Despite Geometry, Beyond the Universal
Nicolas Guegnini
Reticulárea: Module and Version
Gabriela Rangel M.
Part IV: Memoirs and Critiques
The Museo Latinoamericano and MICLA
Luis Camnitzer
Backyard's Memory
Cecilia Brunson
On the Same Track: The Americas Society and the Development of Latin American Art History in the United States
Thomas B.F. Cummins, interviewed by José Luis Falconi
Opening Doors to Vast and Varied Worlds: Latin American Art and the Role of the Americas Society in Post-NAFTA Era
Mary Schneider Enriquez
Afterword: Tractable Times
José Luis Falconi
Book Contributors
Exhibition Timeline


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