Beethoven
Studies in the Creative Processes
Lewis Lockwood
Introduction
On Beethoven's Sketches and Autographs: Some Problems of Definition and Interpretation
The Autograph of the First Movement of the Sonata for Violoncello and Pianoforte, Opus 69
Beethoven's Sketches for Sehnsucht (WoO 146)
Eroica Perspectives: Strategy and Design in the First Movement
The Earliest Sketches for the Eroica Symphony
The Compositional Genesis of the Eroica Finale
Planning the Unexpected: Beethoven's Sketches for the Horn Entrance in the Eroica Symphony, First Movement
The Problem of Closure: Some Examples from the Middle-Period Chamber Music
Process versus Limits: A View of the Quartet in F Major, Opus 59 No. 1
On the Cavatina of Beethoven's String Quartet in B-flat Major, Opus 130
Beethoven's Autograph Manuscripts and the Modern Performer
Physical Features of the Autograph Manuscript of Opus 69, First Movement
Beethoven's Correspondence on the Text of Opus 69
Use of Additional Staves in the Autograph of Opus 69
Provisional List of Variants in the Autograph of Opus 69
Notes
Credits
Index of Compositions, Sketches, and Other Documents
General Index
Lewis Lockwood is Fanny Peabody Research Professor of Music, Harvard University.