Res: Anthropology and Aesthetics, 35, Spring 1999

Intercultural China

Edited by Francesco Pellizzi

    Editorial: Toward a Theory of the Intercultural
    Jonathan Hay

    Intercultural Relations as Seen From Chinese Pictorial Bronzes of the Fifth Century B.C.E.
    Alain Thote

    Inconsequential Incomprehensions: Some Instances of Chinese Writing in Alien Contexts
    Lothar Von Falkenhausen

    What Do Trigrams Have to Do With Buddhas? The Northern Liang Stupas as a Hybrid Spatial Model
    Eugene Y. Wang

    The Eight Brilliant Kings of Wisdom of Southwest China
    Angela F. Howard

    Mapping Sectarian Identity: Onjōji's Statue of Shinra Myōjin
    Christine Ni. E. Guth

    Ceramic Production as Exemplar of Yuan-Ilkhanid Relations
    Priscilla Soucek

    Confronting Dynastic Change: Painting After Mongol Reunification of North and South China
    Peter Charles Sturman

    Hunts, Processions, and Telescopes: A Painting of an Imperial Hunt by Lang Shining (Giuseppe Castiglione)
    Dorothy Berinstein

    Painting and Diplomacy at the Qianlong Court: A Commemorative Picture by Wang Zhicheng (Jean-Denis Attiret)
    Lucia Tripodes

    Culture, Ethnicity, and Empire in the Work of Two Eighteenth-Century "Eccentric" Artists
    Jonathan Hay

    Sanyu: Chinese Painter of Montparnasse
    Leslie Jones

    Questions of Influence in Chinese Art History
    John Hay

  • Cover: Res: Anthropology and Aesthetics, 35, Spring 1999

Francesco Pellizzi is Associate of Middle American Ethnology at the Peabody Museum of Archaeology and Ethnology, Harvard University. He is also Chair of the University Seminar on the Arts of Africa, Oceania, and the Americas, Columbia University, and Senior Fellow at the Italian Academy for Advanced Studies in America, Columbia University.