Res: Anthropology and Aesthetics, 36, Autumn 1999

Factura

Edited by Francesco Pellizzi

    Editorial: Factura
    Joseph Leo Koerner

    Factures/Fractures: from the Concept of Network to the Concept of Attachment
    Bruno Latour

    Faktura: The Making of the Russian Avant-Garde
    Maria Gough

    The Origins of Painting
    Gerhard Wolf

    Albrecht Dürer: Figures of the Marginal
    Friedrich Teja Bach

    Maniera and the Absent Hand: Avoiding the Etymology of Style
    Philip Sohm

    Everything Swims with Excess: Gold and Its Fashioning in Sixteenth-Century France
    Rebecca Zorach

    Rembrandt's Paint
    Benjamin Binstock

    Framing and Fiction in the Work of Paolo Veronese: A Study in the Structure and Meaning of the Image Di Sotto in Su
    Paula Carabell

    Fictive Harmonies: Music and the Tempio Malatestiano
    T. A. Anstey

    "Fabrication of Accidents": Factura and Chance in Nineteenth-Century Art
    Dario Gamboni

    Cezanne's Unfinish
    Matthew Simms

    How Money Looks: Man Ray's Perpetual Motif and the Economy of Time
    Pamela Lee

    Surface as Psyche: A Progress Report
    Harry Cooper

  • Cover: Res: Anthropology and Aesthetics, 36, Autumn 1999

Francesco Pellizzi is Associate of Middle American Ethnology at the Peabody Museum of Archaeology and Ethnology, Harvard University. He is also Chair of the University Seminar on the Arts of Africa, Oceania, and the Americas, Columbia University, and Senior Fellow at the Italian Academy for Advanced Studies in America, Columbia University.