Res: Anthropology and Aesthetics, 39, Spring 2001

African Works

Edited by Francesco Pellizzi

    Editorial: African Works: Anxious Encounters In The Visual Arts
    Z. S. Strother

    Autobiography and Art History: The Imperative of Peripheral Vision
    Suzanne Preston Blier

    Fieldwork and the Text Preceding the (Question) Mark: Prolegomena for a Response to Mudimbe's "African Art as a Question Mark"
    Ikem Stanley Okoye

    "Can You Go Out Without Your Head?" Fieldwork as Transformative Experience
    Ruth B. Phillips

    Entangled Traditions: Photography and the History of Media in Southern Ghana
    Tobias Wendl

    When is an Object Finished? The Creation of the Invisible Among the Bamana of Mali
    Sarah C. Brett-Smith

    Discussion
    Astonishment and Stickiness in Kongo Art: A Theoretical Advance
    Wyatt Macgaffey

    "Immaginacy Set Free": Aristotelian Ethics and Inigo Jones's Banqueting House at Whitehall
    Vaughan Hart and Richard Tucker

    Body in Pieces: Desiring the Barcelona Pavilion
    George Dodds

    Solidity of the Mask: Color Contrasts in Modern Architecture
    William W. Braham

    Post-Scriptum
    "Thou Shalt Not Take the Lord's Name in Vain"--Being a Sort of Sermon on the Hesitations of Religious Speech
    Bruno Latour

    Great and Small Expectations
    Remo Guidieri

  • Cover: Res: Anthropology and Aesthetics, 39, Spring 2001

Francesco Pellizzi is Associate of Middle American Ethnology at the Peabody Museum of Archaeology and Ethnology, Harvard University. He is also Chair of the University Seminar on the Arts of Africa, Oceania, and the Americas, Columbia University, and Senior Fellow at the Italian Academy for Advanced Studies in America, Columbia University.