Res: Anthropology and Aesthetics, 52, Fall 2007
Edited by Francesco Pellizzi
Res: Anthropology and Aesthetics is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also publishes textual and iconographic documents important to the history and theory of the arts.
Francesco Pellizzi is Associate of Middle American Ethnology at the Peabody Museum of Archaeology and Ethnology, Harvard University. He is also Chair of the University Seminar on the Arts of Africa, Oceania, and the Americas, Columbia University, and Senior Fellow at the Italian Academy for Advanced Studies in America, Columbia University.
Jeffrey Quilter is Deputy Director of the Peabody Museum of Archaeology and Ethnology, Harvard University.
Mary Malloy teaches Maritime Studies at the Sea Education Association in Woods Hole, Massachusetts. She is the author of
- Res: Anthropology and Aesthetics, 45, Spring 2004
- Res: Anthropology and Aesthetics, 46, Autumn 2004: Polemical Objects
- Res: Anthropology and Aesthetics, 41, Spring 2002
- Res: Anthropology and Aesthetics, 42, Autumn 2002: West By Nonwest
- Res: Anthropology and Aesthetics, 44, Autumn 2003
- Res: Anthropology and Aesthetics, 1, Spring 1981
- Res: Anthropology and Aesthetics, 31, Spring 1997: The Abject
- Res: Anthropology and Aesthetics, 2, Autumn 1981
- Res: Anthropology and Aesthetics, 21, Spring 1992
- Res: Anthropology and Aesthetics, 34, Autumn 1998: Architecture
- Res: Anthropology and Aesthetics, 33, Spring 1998: Pre-Columbian States of Being
- Res: Anthropology and Aesthetics, 15, Spring 1988
- Res: Anthropology and Aesthetics, 6, Autumn 1983
- Res: Anthropology and Aesthetics, 43, Spring 2003: Islamic Arts
- Res: Anthropology and Aesthetics, 36, Autumn 1999: Factura
- Res: Anthropology and Aesthetics, 25, Spring 1994
- Res: Anthropology and Aesthetics, 10, Autumn 1985
- Res: Anthropology and Aesthetics, 12, Autumn 1986
- Res: Anthropology and Aesthetics, 24, Autumn 1993
- Res: Anthropology and Aesthetics, 37, Spring 2000
- Res: Anthropology and Aesthetics, 23, Spring 1993
- Res: Anthropology and Aesthetics, 26, Autumn 1994
- Res: Anthropology and Aesthetics, 27, Spring 1995
- Res: Anthropology and Aesthetics, 19 & 20, 1990/1991
- Res: Anthropology and Aesthetics, 5, Spring 1983
- Res: Anthropology and Aesthetics, 11, Spring 1986
- Res: Anthropology and Aesthetics, 13, Spring 1987
- Res: Anthropology and Aesthetics, 16, Autumn 1988
- Res: Anthropology and Aesthetics, 17 & 18, Spring/Autumn 1989
- Res: Anthropology and Aesthetics, 9, Spring 1985
- Res: Anthropology and Aesthetics, 29 & 30, Spring/Autumn 1996: The Pre-Columbian
- Res: Anthropology and Aesthetics, 22, Autumn 1992
- Res: Anthropology and Aesthetics, 28, Autumn 1995
- Res: Anthropology and Aesthetics, 32, Autumn 1997: Tradition, Translation, Treason
- Res: Anthropology and Aesthetics, 35, Spring 1999: Intercultural China
- Res: Anthropology and Aesthetics, 38, Autumn 2000
- Res: Anthropology and Aesthetics, 39, Spring 2001: African Works
- Res: Anthropology and Aesthetics, 40, Autumn 2001: Desedimenting Time
- Res: Anthropology and Aesthetics, 7 & 8, Spring/Autumn 1984
- Res: Anthropology and Aesthetics, 47, Spring 2005
- Res: Anthropology and Aesthetics, 48, Autumn 2005: Permanent/Impermanent
- Res: Anthropology and Aesthetics, 49/50, Spring/Autumn 2006
- Res: Anthropology and Aesthetics, 51, Spring 2007
- Res: Anthropology and Aesthetics, 53/54, Spring and Autumn 2008
- Twin Tollans: Chichén Itzá, Tula, and the Epiclassic to Early Postclassic Mesoamerican World
- A Pre-Columbian World
- Gold and Power in Ancient Costa Rica, Panama, and Colombia
- Gardens and Cultural Change: A Pan-American Perspective
- El Niño, Catastrophism, and Culture Change in Ancient America
- Ceramics and Artifacts from Excavations in the Copan Residential Zone
- Souvenirs of the Fur Trade: Northwest Coast Indian Art and Artifacts Collected by American Mariners, 1788-1844
- Berthe Morisot's Images of Women


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