Subversive Intent
Gender, Politics, and the Avant-Garde
Susan Rubin Suleiman
Introduction
Prologue: Playing and Modernity
Pleasures of Theory
Metapolylogue: On Playing and Modernity
A Double Margin: Women Writers and the Avant-Garde in France
Of Margins and Avant-Gardes
The Surrealist Subject
Women in the History of Surrealism
Aggressions and Counteraggressions: Readability in Avant-Garde Fiction
Reading and Rupture
Robbe-Grillet, or, the Readability of Transgression
Maurice Roche: Paradigm Lost and Found
Self-Reflexive Afterthought
Reading Robbe-Grillet: Sadism and Text in Projet pour une révolution à New York
Transgression and the Avant-Garde: Bataille's Histoire de l'oeil
Pornography as Textuality
Pornography as "Reality"
Feminist Poetics and the Pornographic Imagination
Love Stories: Women, Madness, and Narrative
Mastery and Transference: The Significance of Dora
Breton, Charcot, and the Spectacle of Female Otherness
Duras/Lacan: Not Knowing as Entanglement
The Politics and Poetics of Female Eroticism
Equal Rights, or, Telling It with Four-Letter Words
Celebrating Difference, or, Writing (and Reading) Otherwise
Dreaming beyond the Number Two
Feminist Intertextuality and the Laugh of the Mother
Parody and Politics
Parody, Perversion, Collage: Surrealists at Play
Daughters Playing: Some Feminist Rewritings and the Mother
The Hearing Trumpet: Marian Leatherby and the Holy Grail
The Laugh of the Mother
Feminism and Postmodernism: In Lieu of an Ending
Une Histoire Bien Postmoderne
Discourses on the Postmodern and the Emergence of Feminist Postmodernism
Opposition in Babel? The Political Status of Postmodern Intertextuality
To Market, to Market: Oppositional Art in Mass Culture
Of Cyborgs and (Other) "Women": The Politics of Decentered Subjects
Notes
Selected Bibliography
Index


