Dumbarton Oaks Pre-Columbian Art and Archaeology Studies Series

Olga Linares offers a reinterpretation of the Classic rank-societies of the central Panamanian provinces based on archaeological, ecological, iconographic, ethnohistoric, and ethnographic evidence, and concludes that the art style of this area used animal motifs as a metaphor in expressing the qualities of aggression and hostility characteristic of social and political life in the central provinces.

Townsendoffers an interpretation of major examples of Mexica monumental art by identifying three interrelated iconographic themes: the conception of the universe as a sacred structure, the correspondence of the social order and the territory of the nation with the cosmic structure, and the representation of Tenochtitlan as the historically legitimate successor to the civilization of the past.

This study analyzes the visual traits of Izapa-style monuments to establish a stylistic inventory of visual elements and the rules for their use, and compares other Late Pre-Classic monuments of the Guatemala-Chiapas highlands and Pacific slopes.

This is the first comprehensive treatment and pictorial record of one of the greatest bodies of sculpture in the Pre-Columbian world. Parson’s work orders the Late Pre-Classic sculptures of highland and Pacific coastal Guatemala into chronological and stylistic groupings, relating them to the other artistic and iconographic movements at the time the Maya style was coalescing.

Dorie Reents-Budet, Claude Baudez, William Fash, Jr., Berthold Riese, William Sanders, and David Webster contribute to this monograph, and using an integrated art historical and anthropological approach, consider the House of the Bacabs’ context as an elite Maya structure, its excavation and restoration, and its iconographic and epigraphic reconstruction and interpretation, to establish models for understanding Classic Maya social and political life.

This is the first publication of complete watercolor renderings recording early documentation of the frieze of the Palace of the Stuccoes, an unusual example of architectural decoration in the northern Maya lowlands.

The authors present evidence that specific place names do exist in Maya inscriptions, and show that identifying these names sheds considerable light on both past and present questions about the Maya.

The Historia Tolteca-Chichimeca was created at a pivotal transitional moment, bridging an era when pictorial manuscripts dominated and one that witnessed the rising hegemony of alphabetic texts. Script and Glyph is a particularly appropriate volume for Dumbarton Oaks, as it crosses the boundaries of Pre-Columbian and Landscape areas of study. The volume is beautifully illustrated with color images from the manuscript itself.

By examining the connections between place and identity in the Classic Maya culture that thrived in the Yucatan peninsula and parts of Guatemala, Belize, and Honduras from 350 to 900 CE, Alexandre Tokovinine addresses one of the crucial research questions in anthropology: How do human communities define themselves in relation to landscapes?