Dumbarton Oaks Pre-Columbian Art and Archaeology Studies Series

Below is a list of in-print works in this collection, presented in series order or publication order as applicable.

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5.Cover: Two Aztec Wood Idols: Iconographic and Chronologic Analysis

Two Aztec Wood Idols: Iconographic and Chronologic Analysis

Nicholson, H. B.
Berger, Rainer

15.Cover: The Iconography of the Teotihuacan Tlaloc

The Iconography of the Teotihuacan Tlaloc

Pasztory, Esther

17.Cover: Ecology and the Arts in Ancient Panama: On the Development of Social Rank and Symbolism in the Central Provinces

Ecology and the Arts in Ancient Panama: On the Development of Social Rank and Symbolism in the Central Provinces

Linares, Olga

Olga Linares offers a reinterpretation of the Classic rank-societies of the central Panamanian provinces based on archaeological, ecological, iconographic, ethnohistoric, and ethnographic evidence, and concludes that the art style of this area used animal motifs as a metaphor in expressing the qualities of aggression and hostility characteristic of social and political life in the central provinces.

19.Cover: The Danzantes of Monte Albán

The Danzantes of Monte Albán

Scott, John F.

John Scott looks at the characteristics, stylistic evolution, ceramic relationships, and dating of the Danzantes of Monte Albán. The volume includes an illustrated catalogue of the reliefs and an appendix on their petrography and pigmentation.

20.Cover: State and Cosmos in the Art of Tenochtitlan

State and Cosmos in the Art of Tenochtitlan

Townsend, Richard Fraser

Townsend offers an interpretation of major examples of Mexica monumental art by identifying three interrelated iconographic themes: the conception of the universe as a sacred structure, the correspondence of the social order and the territory of the nation with the cosmic structure, and the representation of Tenochtitlan as the historically legitimate successor to the civilization of the past.

29.Cover: The House of the Bacabs, Copan, Honduras

The House of the Bacabs, Copan, Honduras

Webster, David

Dorie Reents-Budet, Claude Baudez, William Fash, Jr., Berthold Riese, William Sanders, and David Webster contribute to this monograph, and using an integrated art historical and anthropological approach, consider the House of the Bacabs’ context as an elite Maya structure, its excavation and restoration, and its iconographic and epigraphic reconstruction and interpretation, to establish models for understanding Classic Maya social and political life.

32.Cover: The Major Gods of Ancient Yucatan

The Major Gods of Ancient Yucatan

Taube, Karl A.

33.Cover: Classic Maya Place Names

Classic Maya Place Names

Stuart, David
Houston, Stephen D.

The authors present evidence that specific place names do exist in Maya inscriptions, and show that identifying these names sheds considerable light on both past and present questions about the Maya.

36.Cover: Script and Glyph: Pre-Hispanic History, Colonial Bookmaking, and the <i>Historia Tolteca-Chichimeca</i>

Script and Glyph: Pre-Hispanic History, Colonial Bookmaking, and the Historia Tolteca-Chichimeca

Leibsohn, Dana

The Historia Tolteca-Chichimeca was created at a pivotal transitional moment, bridging an era when pictorial manuscripts dominated and one that witnessed the rising hegemony of alphabetic texts. Script and Glyph is a particularly appropriate volume for Dumbarton Oaks, as it crosses the boundaries of Pre-Columbian and Landscape areas of study. The volume is beautifully illustrated with color images from the manuscript itself.

37.Cover: Place and Identity in Classic Maya Narratives

Place and Identity in Classic Maya Narratives

Tokovinine, Alexandre

By examining the connections between place and identity in the Classic Maya culture that thrived in the Yucatan peninsula and parts of Guatemala, Belize, and Honduras from 350 to 900 CE, Alexandre Tokovinine addresses one of the crucial research questions in anthropology: How do human communities define themselves in relation to landscapes?

38.Cover: Holes in the Head: The Art and Archaeology of Trepanation in Ancient Peru

Holes in the Head: The Art and Archaeology of Trepanation in Ancient Peru

Verano, John W.

Trepanation is the oldest surgical procedure known from antiquity, but its origins, evolution, and the reasons for doing it remain unclear. Holes in the Head examines trepanation in ancient Peru and explores its origins and spread throughout the Central Andes, focusing on techniques, success rates, and possible motivations for trepanning.

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Capitalism and Its Discontents [picture of the ruins of a house]