The journal New Geographies aims to examine the emergence of the geographic—a new but for the most part latent paradigm in design today—to articulate it and bring it to bear effectively on the agency of design. After more than two decades of seeing architecture and urbanism as the spatial manifestation of the effects of globalization, it is time to consider the expanded agency of the designer.

Designers are increasingly compelled to shape larger scales and contexts, to address questions related to infrastructural problems, urban and ecological systems, and cultural and regional issues. These questions, previously confined to the domains of engineering, ecology, or regional planning, now require articulation through design. Encouraging designers to reexamine their tools and develop strategies to link attributes previously understood to be either separate from each other or external to the design disciplines, those questions have also opened up a range of technical, formal, and social repertoires for architecture and urbanism. Although in the past decade different versions of landscape and infrastructural urbanism have emerged in response to similar challenges, this new condition we call “the geographic” points to more than a shift in scale. Much of the analysis in architecture, landscape, and urbanism—of emergent urban mutations and global changes on the spatial dimension—comes by way of social anthropology, human geography, and economics, and the journal aims to extend these arguments by asking how the design practices can have a more active and transformative impact on the forces that shape contemporary urban realities.

As the synthesizing role that geography aspired to play among the physical, the economic, and the sociopolitical is now being increasingly shared by design, New Geographies is interested in new associations or linkages between the social and the physical, the form and the context, the very large and the very small. Through critical essays and design projects, the journal aims to open up discussions on the expanded agency of the designer, agency both as a form of capacity in relation to new techniques and strategies, and as a faculty of acting, power, and disciplinary repositioning.

Below is a list of in-print works in this collection, presented in series order or publication order as applicable.

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1.Cover: New Geographies, 0

New Geographies, 0

Turan, Neyran

New Geographies aims to examine the emergence of the “geographic,” a new but for the most part latent paradigm in design today—to articulate it and to bring it to bear effectively on the social role of design. Through essays and design projects, the journal aims to identify the relationship between the very small and the very large, and intends to open up discussions on the expanded role of the designer, with an emphasis on disciplinary reframings, repositionings, and attitudes.

2.Cover: New Geographies, 1: After Zero

New Geographies, 1: After Zero

Ramos, Stephen
Turan, Neyran

Design disciplines are challenged by the condition of the zero point. “Zero-context,” “cities from scratch,” and “zero-carbon” developments all force designers to tackle fundamental questions regarding the strategic relevance and impact of a design intervention. Along with the challenges inherent in the zero point, perhaps more meaningful are the provocations of the “after the zero” condition, which clearly marks the need to seriously explore fundamental inquiries regarding form and context (physical, social, political). After Zero is an opportunity to imagine alternative futures and a revitalized project for the city.

3.Cover: New Geographies, 2: Landscapes of Energy

New Geographies, 2: Landscapes of Energy

Ghosn, Rania

Volume 2 of New Geographies proposes to historicize and materialize the relations of energy and space, and map some of the physical, social, and representational geographies of oil, in particular. By making visible this infrastructure, Landscapes of Energy is an invitation to articulate design’s environmental agency and its appropriate scales of intervention.

4.Cover: New Geographies, 3: Urbanisms of Color

New Geographies, 3: Urbanisms of Color

Doherty, Gareth

Colors have a presence over and beyond the objects—buildings, spaces, billboards, artifacts, and people—that make up the city. Yet discussions on the city do not usually focus much on color, perhaps because urban colors are too often understood as being beyond any one authority or taste, or are simply dismissed as cosmetic, naïve, or intangible. Volume 3 of New Geographies brings together artists and designers, anthropologists, geographers, historians, and philosophers with the aim of challenging the status quo and exploring the potency, the interaction, and the neglected design possibilities of color at the scale of the city.

5.Cover: New Geographies, 4: Scales of the Earth

New Geographies, 4: Scales of the Earth

Jazairy, El Hadi

The first Apollo images of the Earth produced a perspective enabling humanity to act on Earth and its nature as if it controlled it from “outside.” The scale of vision, viewpoint, and qualification of space made possible by satellite imagery reframes contemporary debates on design, agency, and territory. Volume 4 of New Geographies features articles and projects that critically address the relationship of space with such modes of representation.

6.Cover: New Geographies, 5: The Mediterranean

New Geographies, 5: The Mediterranean

Petrov, Antonio

At the intersection of three continents, the Mediterranean is one of the most important areas on earth. In New Geographies, 5, contributors from a variety of disciplines recast “the Mediterranean” as a twenty-first-century geographic entity, challenging conventional boundaries and dismantling prevailing political, spatial, and cultural meanings.

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