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Featured Video Interviews

Jacket: The Collaboration: Hollywood’s Pact with Hitler, by Ben Urwand, from Harvard University Press

The Collaboration: Hollywood’s Pact with Hitler
Ben Urwand

Jacket: Redefining Rape: Sexual Violence in the Era of Suffrage and Segregation, by Estelle B. Freedman, from Harvard University Press

Redefining Rape: Sexual Violence in the Era of Suffrage and Segregation
Estelle B. Freedman

Jacket: Algerian Chronicles, by Albert Camus, translated by Arthur Goldhammer, Introduction by Alice Kaplan, from Harvard University Press

Algerian Chronicles
Albert Camus

Jacket: The Fracturing of the American Corporate Elite, by Mark S. Mizruchi, from Harvard University Press

The Fracturing of the American Corporate Elite
Mark S. Mizruchi

Featured Audio Interviews

Jonathan Levy on the emerging world of capitalism and risk in America Gretchen Heefner on The Missile Next Door: The Minuteman in the American Heartland John Turner on his biography of Brigham Young John Allen on The Omnivorous Mind: Our Evolving Relationship with Food Modris Eksteins on Solar Dance: Van Gogh, Forgery, and the Eclipse of Certainty Victoria Nelson on Gothicka: Vampire Heroes, Human Gods, and the New Supernatural Lawrence N. Powell on The Accidental City: Improvising New Orleans Sydney Nathans on To Free a Family: The Journey of Mary Walker Brad S. Gregory on The Unintended Reformation: How a Religious Revolution Secularized Society

Advertisement for Slow Reading in a Hurried Age, by David Mikics, from Harvard University Press

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Blog

October 1: Excavating the Bay of Bengal: The historian Daniel Richter’s Before the Revolution is a centuries-deep excavation of the multiple pasts of the land that became the United States. “Excavation” is Richter’s own term, a metaphor that guides the book and offers a fruitful way of imagining the lineage of a land. “The American Revolution,” he explains, “submerged earlier strata of society, culture, and politics, but those ancient worlds remain beneath the surface to mold the nation’s current contours.” He describes these remaining traces, these temporal palimpsests, as “layered pasts,” the new always a product of the old, which itself must be understood in order to fully know the present. In hi…

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