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<title>Harvard University Press - ART</title>
<link>http://www.hup.harvard.edu/books/ART-new.html</link>
<description>The latest publications from Harvard University Press in ART</description>
<language>en-us</language>
<copyright>Copyright 2008 Harvard University Press</copyright>
<webMaster>Contact_HUP@harvard.edu</webMaster>
<pubDate>Thu, 19 Jun 2008 14:01:22 EDT</pubDate>

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<title>Dumbarton Oaks</title>
<link>http://www.hup.harvard.edu/catalog/BUHDUM.html</link>
<description>Edited by Gudrun B&uuml;hl&lt;br /&gt;
Dumbarton Oaks houses the extraordinary art collection begun by Mildred and Robert Woods Bliss. In this book the museum publishes the specialist collections in Byzantine and Pre-Columbian art, along with examples from the Blisses&amp;rsquo; superb European collection, for the first time.&lt;br /&gt;
Paperback June 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/BUHDUM.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/BUHDUM.html</guid>
<pubDate>Sun, 15 Jun 2008 00:00:00 EDT</pubDate>
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<title>Classic-Period Cultural Currents in Southern and Central Veracruz</title>
<link>http://www.hup.harvard.edu/catalog/ARNCLA.html</link>
<description>Edited by Philip J. Arnold&lt;br /&gt;
Edited by Christopher A. Pool&lt;br /&gt;
This book explores the diverse traditions and dynamic interactions along the Mexican Gulf lowlands at the height of their cultural florescence. Best known for their elaborate ball game rituals and precocious inscriptions with long-count dates, these cultures served as a critical nexus between the civilizations of highland Mexico and the lowland Maya, influencing developments in both regions.&lt;br /&gt;
Hardcover May 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/ARNCLA.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/ARNCLA.html</guid>
<pubDate>Thu, 15 May 2008 00:00:00 EDT</pubDate>
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<title>Studio Works 12</title>
<link>http://www.hup.harvard.edu/catalog/STU012.html</link>
<description>Edited by Paula Meijerink&lt;br /&gt;
Edited by Laura Miller&lt;br /&gt;
Edited by Martin Zogran&lt;br /&gt;
The aim of Studio Works is to capture the essential character of the design studio experience at the Harvard University Graduate School of Design. Studio Works 12 features outstanding GSD student work from school years 2005&amp;ndash;2006 and 2006&amp;ndash;2007, along with material documenting exhibitions, research seminars, and thesis projects.&lt;br /&gt;
Paperback May 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/STU012.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/STU012.html</guid>
<pubDate>Thu, 15 May 2008 00:00:00 EDT</pubDate>
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<title>The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media</title>
<link>http://www.hup.harvard.edu/catalog/BENWOR.html</link>
<description>Walter Benjamin&lt;br /&gt;
Edited by Michael W. Jennings&lt;br /&gt;
Edited by Brigid Doherty&lt;br /&gt;
Edited by Thomas Y. Levin&lt;br /&gt;
Benjamin&amp;rsquo;s famous &amp;ldquo;Work of Art&amp;rdquo; essay sets out his boldest thoughts&amp;mdash;on media and on culture in general. This book contains the second, and most daring, of the four versions of the &amp;ldquo;Work of Art&amp;rdquo; essay&amp;mdash;the one that addresses the utopian developments of the modern media. The collection tracks Benjamin&amp;rsquo;s observations on the media as they are revealed in essays on the production and reception of art; on film, radio, and photography; and on the modern transformations of literature and painting.&amp;nbsp;&lt;br /&gt;
Paperback May 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/BENWOR.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/BENWOR.html</guid>
<pubDate>Thu, 15 May 2008 00:00:00 EDT</pubDate>
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<title>Decorated Book Papers</title>
<link>http://www.hup.harvard.edu/catalog/LORDEC.html</link>
<description>Rosamond B. Loring&lt;br /&gt;
Edited by Hope Mayo&lt;br /&gt;
Decorated Book Papers, first published in 1942, remains one of the standard works on its subject. Loring, a collector and maker of decorated papers, explores the extensive history and use of decorated papers in the book arts. Appendices are devoted to the art of marbling, the preparation of paste papers, and a listing of some early makers of decorated paper.&lt;br /&gt;
Hardcover April 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/LORDEC.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/LORDEC.html</guid>
<pubDate>Tue, 15 Apr 2008 00:00:00 EDT</pubDate>
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<title>Beginning with a Bang! From Confrontation to Intimacy</title>
<link>http://www.hup.harvard.edu/catalog/NOOBEG.html</link>
<description>Edited by Victoria Noorthoorn&lt;br /&gt;
Foreword by Susan Segal&lt;br /&gt;
Beginning with a Bang! features the shift between the explosive and experimental moment in the Argentine art scene of the 1960s, and the current scene emerging after the extreme crises in Argentina during the last 40 years. The exhibition catalogue brings together a historical section as well as information of performance-based actions and sound and video works by Argentine contemporary artists.&lt;br /&gt;
Paperback March 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/NOOBEG.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/NOOBEG.html</guid>
<pubDate>Sun, 30 Mar 2008 00:00:00 EDT</pubDate>
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<title>Olympic Sculpture Park for the Seattle Art Museum</title>
<link>http://www.hup.harvard.edu/catalog/BUSSEA.html</link>
<description>Edited by Joan Busquets&lt;br /&gt;
Envisioned as a new urban model for sculpture parks, the Seattle Art Museum&amp;rsquo;s Olympic Sculpture Park is located on the city&amp;rsquo;s last undeveloped waterfront property&amp;mdash;a nine-acre industrial site sliced by train tracks and an arterial road. The park not only brings art outside the museum walls but also brings the park itself into the landscape of the city. This study offers an opportunity to take a fresh look at the city and explore some hypotheses about the wider meaning of an urban design project.&lt;br /&gt;
Paperback March 2008&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/BUSSEA.html</guid>
<pubDate>Sun, 30 Mar 2008 00:00:00 EDT</pubDate>
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<title>Sappho in the Making</title>
<link>http://www.hup.harvard.edu/catalog/YATSAP.html</link>
<description>Dimitrios Yatromanolakis&lt;br /&gt;
This book offers the first interdisciplinary and in-depth study of the cultural practices and ideological paradigms that conditioned the politics of the &quot;reading&quot; of Sappho's songs in the early and most pivotal stages of her  reception. Yatromanolakis investigates visual representations and ancient texts in their synchronic and diachronic multilayeredness to trace the discursive nexuses that defined the making of &quot;Sappho&quot; in the late archaic, classical, and early Hellenistic periods.&lt;br /&gt;
Paperback March 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/YATSAP.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/YATSAP.html</guid>
<pubDate>Sun, 30 Mar 2008 00:00:00 EDT</pubDate>
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<title>Niche</title>
<link>http://www.hup.harvard.edu/catalog/EDWNIC.html</link>
<description>David  Edwards&lt;br /&gt;
Jay Cantor&lt;br /&gt;
Photographs by Daniel Faust&lt;br /&gt;
Niche tells the story of an artist who meets a scientist and through the encounter makes a hypothesis: If the artist became a stem cell and then divided into a neuron, would he discover the meaning of intelligence? Edwards and Cantor introduce a new fiction genre&amp;mdash;the novel catalogue&amp;mdash;to coincide with the opening of the new art and design innovation center in Paris, Le Laboratoire. The novel catalogue fictionalizes the creative process of an exhibition season which opens with the artistic outcome of an experiment between Fabrice Hyber, a French artist, and Robert Langer of MIT.&lt;br /&gt;
Paperback March 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/EDWNIC.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/EDWNIC.html</guid>
<pubDate>Sat, 1 Mar 2008 00:00:00 EST</pubDate>
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<title>The Parthenon Sculptures</title>
<link>http://www.hup.harvard.edu/catalog/JENPAR.html</link>
<description>Ian Jenkins&lt;br /&gt;
The Parthenon sculptures in the British Museum are unrivaled examples of classical Greek art, an inspiration to artists and writers since their creation in the fifth century BCE. A superb visual introduction to these wonders of antiquity, this book offers a photographic tour of the most famous of the surviving sculptures from ancient Greece, viewed within their cultural and art-historical context.&lt;br /&gt;
Hardcover February 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/JENPAR.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/JENPAR.html</guid>
<pubDate>Thu, 28 Feb 2008 00:00:00 EST</pubDate>
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<title>Res: Anthropology and Aesthetics, 52, Fall 2007</title>
<link>http://www.hup.harvard.edu/catalog/RES052.html</link>
<description>Edited by Francesco Pellizzi&lt;br /&gt;
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, among others.&lt;br /&gt;
Paperback February 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/RES052.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/RES052.html</guid>
<pubDate>Fri, 15 Feb 2008 00:00:00 EST</pubDate>
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<title>The Art of Small Things</title>
<link>http://www.hup.harvard.edu/catalog/MACART.html</link>
<description>John Mack&lt;br /&gt;
This richly illustrated book celebrates the art of the miniature, but also looks beyond it at the many aspects of &quot;small worlds&quot;--in particular, their capacity to evoke responses that far exceed their physical dimensions. Mack explores the talismanic, religious, or magical properties with which miniatures are often imbued. Considering a wide range of objects, he examines the use of the miniature form in various cultural contexts.&lt;br /&gt;
Hardcover January 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/MACART.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/MACART.html</guid>
<pubDate>Thu, 31 Jan 2008 00:00:00 EST</pubDate>
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<title>Artscience</title>
<link>http://www.hup.harvard.edu/catalog/EDWART.html</link>
<description>David  Edwards&lt;br /&gt;
This book is an attempt to show how innovation in the &quot;post-Google generation&quot; is often catalyzed by those who cross a conventional line so firmly drawn between the arts and the sciences. Edwards describes how contemporary creators achieve breakthroughs in the arts and sciences by developing their ideas in an intermediate zone of human creativity where neither art nor science is easily defined.&lt;br /&gt;
Hardcover January 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/EDWART.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/EDWART.html</guid>
<pubDate>Thu, 31 Jan 2008 00:00:00 EST</pubDate>
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<title>Indian Art in Detail</title>
<link>http://www.hup.harvard.edu/catalog/DALIND.html</link>
<description>A. L. Dallapiccola&lt;br /&gt;
The rich and diverse cultures of India are represented in exquisite detail in this book, which begins with a simple question: what is Indian art? Each thematically organized chapter delves into such topics as religion and myth, epics, festivals, courtly and village life, and the natural world. The gorgeous close-ups of paintings, textiles, and sculptures in metal, ivory, and wood illuminate the aesthetics and workmanship, as well as recurrent motifs that are distinctly Indian.&lt;br /&gt;
Hardcover November 2007&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/DALIND.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/DALIND.html</guid>
<pubDate>Fri, 30 Nov 2007 00:00:00 EST</pubDate>
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<title>Master Drawings of the Italian Renaissance</title>
<link>http://www.hup.harvard.edu/catalog/VANMAS.html</link>
<description>Claire Van Cleave&lt;br /&gt;
A beautifully designed selection of the finest Italian Renaissance drawings from the British Museum, the Louvre and other French public collections, giving remarkable insight into the creative processes of some of the greatest artists in history.&lt;br /&gt;
Hardcover November 2007&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/VANMAS.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/VANMAS.html</guid>
<pubDate>Mon, 19 Nov 2007 00:00:00 EST</pubDate>
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<title>The First Emperor</title>
<link>http://www.hup.harvard.edu/catalog/PORFIR.html</link>
<description>Edited by Jane Portal&lt;br /&gt;
Standing guard around the tomb of Qin Shihuangdi, the ranks of a terra-cotta army bear silent witness to the power of the First Emperor of the Qin Dynasty, who unified China in 221 BCE. Six thousand warriors and horses make up the army, while chariots, a military guard, and a command post complete the host. A new look at one of the most spectacular finds in the annals of archaeology, this book also considers its historical and archaeological context, and the extensive research carried out since its discovery in 1974.&lt;br /&gt;
Hardcover November 2007&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/PORFIR.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/PORFIR.html</guid>
<pubDate>Thu, 1 Nov 2007 00:00:00 EDT</pubDate>
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<title>From Egypt to Babylon</title>
<link>http://www.hup.harvard.edu/catalog/COLFRO.html</link>
<description>Paul Collins&lt;br /&gt;
For those who believe that globalization is a purely modern phenomenon, this book holds a startling and absorbing lesson. Readers are immersed in a world of exotic empires and states as they waxed and waned and interacted in a period of extraordinary internationalism&amp;mdash;all before the rise of the Persian Empire.&lt;br /&gt;
Hardcover October 2007&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/COLFRO.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/COLFRO.html</guid>
<pubDate>Mon, 15 Oct 2007 00:00:00 EDT</pubDate>
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<title>Icons</title>
<link>http://www.hup.harvard.edu/catalog/CORICO.html</link>
<description>Robin Cormack&lt;br /&gt;
Byzantine and Russian Orthodox icons are perhaps the most enduring form of religious art ever developed--and one of the most mysterious. This book provides an accessible guide to their story and power. Illustrated mostly with Cretan, Greek, and Russian examples from the British Museum, which houses Britain's most important collection, the book examines icons in the context of the history of Christianity, as well as within the perspective of art history.&lt;br /&gt;
Hardcover September 2007&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/CORICO.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/CORICO.html#CORICO</guid>
<pubDate>Sun, 30 Sep 2007 00:00:00 EDT</pubDate>
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