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<title>Harvard University Press - ART</title>
<link>http://www.hup.harvard.edu/books/ART-new.html</link>
<description>The latest publications from Harvard University Press in ART</description>
<language>en-us</language>
<copyright>Copyright 2009 Harvard University Press</copyright>
<webMaster>Contact_HUP@harvard.edu</webMaster>
<pubDate>Wed, 4 Nov 2009 09:41:18 EST</pubDate>

<item>
<title>Beyond Surface Appeal</title>
<link>http://www.hup.harvard.edu/catalog/WHIBEY.html</link>
<description>Sarah Whiting&lt;br /&gt;
Two essays and a set of original diagrams consider the parameters of the &amp;ldquo;something beyond&amp;rdquo; in James Carpenter&amp;rsquo;s projects. Photographs and extended captions from Carpenter complete this book&amp;rsquo;s documentation of key projects.&lt;br /&gt;
Paperback November 2009&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/WHIBEY.html</guid>
<pubDate>Sun, 1 Nov 2009 00:00:00 EDT</pubDate>
</item>

<item>
<title>Sassetta</title>
<link>http://www.hup.harvard.edu/catalog/ISRSAS.html</link>
<description>Edited by Machtelt Isra&euml;ls&lt;br /&gt;
Sassetta, the subtle genius from Siena, revolutionized Italian painting with an altarpiece for the small Tuscan town of Borgo San Sepolcro in 1437&amp;ndash;1444. This book solves the three-dimensional jigsaw puzzle of this masterwork&amp;rsquo;s reconstruction and, on a firm scientific foundation, restores it to its vivid historical context.&lt;br /&gt;
Hardcover October 2009&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/ISRSAS.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/ISRSAS.html</guid>
<pubDate>Sat, 31 Oct 2009 00:00:00 EDT</pubDate>
</item>

<item>
<title>Ancient American Art in Detail</title>
<link>http://www.hup.harvard.edu/catalog/MCEANC.html</link>
<description>Colin McEwan&lt;br /&gt;
This latest title in a strikingly beautiful series of collectable books turns our attention to the rich variety of art from the Ancient Americas. Beginning by asking what constitutes Ancient American art, Colin McEwan contextualizes this art in its complexity of form and meaning. The beauty of the smallest details is magnified and contextualized through accompanying essays written by experts in Ancient American art.&lt;br /&gt;
Hardcover June 2009&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/MCEANC.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/MCEANC.html</guid>
<pubDate>Mon, 15 Jun 2009 00:00:00 EDT</pubDate>
</item>

<item>
<title>Cleopatra and Rome</title>
<link>http://www.hup.harvard.edu/catalog/KLECLE.html</link>
<description>Diana E. E. Kleiner&lt;br /&gt;
In this beautifully illustrated book, we experience the synthesis of Cleopatra's and Rome's defining moments through surviving works of art and other remnants of what was once an opulent material culture. This culture best chronicles Cleopatra's legend and suggests her subtle but indelible mark on the art of imperial Rome at the critical moment of its inception.&lt;br /&gt;
Paperback May 2009&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/KLECLE.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/KLECLE.html</guid>
<pubDate>Sun, 31 May 2009 00:00:00 EDT</pubDate>
</item>

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<title>Catalogue of Byzantine Seals at Dumbarton Oaks and in the Fogg Museum of Art, Volume 6</title>
<link>http://www.hup.harvard.edu/catalog/CABS06.html</link>
<description>John Nesbitt&lt;br /&gt;
Assisted by Cecile Morrisson&lt;br /&gt;
The combined Dumbarton Oaks and Fogg collection of Byzantine seals is one of the largest in the world, containing 17,000 specimens. Volume 6 in the catalogue presents the seals of emperors and patriarchs of Constantinople. More than 250 seals are illustrated and accompanied&amp;mdash;where appropriate&amp;mdash;by a full commentary regarding each specimen&amp;rsquo;s date, biographical information on its owner, peculiarities of orthography, and iconographic features.&lt;br /&gt;
Hardcover April 2009&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/CABS06.html</guid>
<pubDate>Wed, 15 Apr 2009 00:00:00 EDT</pubDate>
</item>

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<title>Lighting in Early Byzantium</title>
<link>http://www.hup.harvard.edu/catalog/BOULIG.html</link>
<description>Laskarina Bouras&lt;br /&gt;
Maria Parani&lt;br /&gt;
Foreword by Susan A. Boyd&lt;br /&gt;
This book is the first general survey of lighting in Byzantium. The first part of the book discusses the technology and types of lighting devices and explains their decorative symbolism and social function. The second half illustrates this narrative by drawing on a Dumbarton Oaks exhibition.&lt;br /&gt;
Paperback March 2009&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/BOULIG.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/BOULIG.html</guid>
<pubDate>Sun, 15 Mar 2009 00:00:00 EDT</pubDate>
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<title>Arab-Byzantine Coins</title>
<link>http://www.hup.harvard.edu/catalog/FOSARA.html</link>
<description>Clive Foss&lt;br /&gt;
This illustrated handbook presents a concise history of the development of the coinage of the early Arab caliphate in the seventh century. The historical introduction, which includes descriptions of all the basic types, is followed by a summary catalogue of the recently acquired collection of Arab-Byzantine coins at Dumbarton Oaks.&lt;br /&gt;
Paperback February 2009&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/FOSARA.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/FOSARA.html</guid>
<pubDate>Sat, 28 Feb 2009 00:00:00 EST</pubDate>
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<item>
<title>The Naked Gaze</title>
<link>http://www.hup.harvard.edu/catalog/ROJNAK.html</link>
<description>Carlos Rojas&lt;br /&gt;
This volume focuses on tropes of visuality and gender to reflect on shifting understandings of the significance of Chineseness, modernity, and Chinese modernity. Through detailed readings of narrative works by eight authors of the nineteenth and twentieth centuries, the study identifies three distinct constellations of visual concerns corresponding to the late imperial, mid-twentieth century, and contemporary periods, respectively.&lt;br /&gt;
Hardcover January 2009&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/ROJNAK.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/ROJNAK.html</guid>
<pubDate>Sat, 31 Jan 2009 00:00:00 EST</pubDate>
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<item>
<title>Dogs</title>
<link>http://www.hup.harvard.edu/catalog/JOHDOG.html</link>
<description>Catherine Johns&lt;br /&gt;
The juxtaposition and explanation of images as diverse as Greek pottery, Victorian jewelry, Assyrian sculpture, and Japanese netsuke, illuminates our understanding of the place of dogs in human society around the world. This book explores these cultural expressions and reflections of our deep and long-standing interest in dogs.&lt;br /&gt;
Hardcover December 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/JOHDOG.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/JOHDOG.html</guid>
<pubDate>Mon, 15 Dec 2008 00:00:00 EST</pubDate>
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<title>The Economy of Prestige</title>
<link>http://www.hup.harvard.edu/catalog/ENGECO.html</link>
<description>James F. English&lt;br /&gt;
This is a book about one of the great untold stories of modern cultural life: the remarkable ascendancy of prizes in literature and the arts. James F. English documents the dramatic rise of the awards industry and its complex role within what he describes as an economy of cultural prestige.&lt;br /&gt;
Paperback December 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/ENGECO.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/ENGECO.html</guid>
<pubDate>Mon, 15 Dec 2008 00:00:00 EST</pubDate>
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<title>Res: Anthropology and Aesthetics, 53/54, Spring and Autumn 2008</title>
<link>http://www.hup.harvard.edu/catalog/RES534.html</link>
<description>Edited by Francesco Pellizzi&lt;br /&gt;
Among other articles, this double volume includes: The value of forgery, Jonathan Hay; Affective operations of art and literature, Ernst van Alphen; Betty&amp;rsquo;s Turn, Stephen Melville.&lt;br /&gt;
Paperback December 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/RES534.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/RES534.html</guid>
<pubDate>Mon, 15 Dec 2008 00:00:00 EST</pubDate>
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<item>
<title>Harvard Art Museum Handbook</title>
<link>http://www.hup.harvard.edu/catalog/WOLHAR.html</link>
<description>Edited by Stephan Wolohojian&lt;br /&gt;
With some 280,000 objects, the Harvard Art Museum is the largest university art museum in the United States. This first handbook of the collections surveys their full scope, from early-Egyptian bronzes and Chinese ceramics to contemporary paintings and prints.&lt;br /&gt;
Paperback November 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/WOLHAR.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/WOLHAR.html</guid>
<pubDate>Sun, 30 Nov 2008 00:00:00 EST</pubDate>
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<item>
<title>Leaves from Paradise</title>
<link>http://www.hup.harvard.edu/catalog/HAMLEA.html</link>
<description>Edited by Jeffrey F. Hamburger&lt;br /&gt;
A pair of leaves recently acquired by Houghton Library presents an opportunity to examine the illuminated sequence composed in honor of John the Evangelist. The richly decorated fragments promise to transform our understanding of the special place of Christ&amp;rsquo;s &amp;ldquo;beloved disciple&amp;rdquo; in 14th-century art, liturgy, theology, and mysticism.&lt;br /&gt;
Paperback November 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/HAMLEA.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/HAMLEA.html#HAMLEA</guid>
<pubDate>Sun, 30 Nov 2008 00:00:00 EST</pubDate>
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