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<title>Harvard University Press - POETRY</title>
<link>http://www.hup.harvard.edu/books/POE-new.html</link>
<description>The latest publications from Harvard University Press in POETRY</description>
<language>en-us</language>
<copyright>Copyright 2008 Harvard University Press</copyright>
<webMaster>Contact_HUP@harvard.edu</webMaster>
<pubDate>Thu, 19 Jun 2008 14:02:16 EDT</pubDate>

<item>
<title>Zeus in the <i>Odyssey</i></title>
<link>http://www.hup.harvard.edu/catalog/MARZEU.html</link>
<description>J. Marks&lt;br /&gt;
This book makes the case that the plot of the Odyssey is represented within the narrative as a plan of Zeus, Dios boul&amp;ecirc;, that serves as a guide for the performing poet and as a hermeneutic for the audience. The &amp;ldquo;Zeus-centric&amp;rdquo; reading proposed here offers fresh perspectives on the tenor of interactions among the Odyssey&amp;rsquo;s characters.&lt;br /&gt;
Paperback May 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/MARZEU.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/MARZEU.html</guid>
<pubDate>Thu, 15 May 2008 00:00:00 EDT</pubDate>
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<item>
<title>The Oral Palimpsest</title>
<link>http://www.hup.harvard.edu/catalog/TSAORA.html</link>
<description>Christos Tsagalis&lt;br /&gt;
Oral intertextuality is an innate feature of the web of myth, whose interrelated fabrics allow the audience of epic songs access to an entire horizon of story variations. The Oral Palimpsest argues that just as the discarded text of a palimpsest still carries traces of its previous writing, so the Homeric tradition unfolds its awareness of alternate versions as it reveals signs of their erasure.&lt;br /&gt;
Paperback March 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/TSAORA.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/TSAORA.html</guid>
<pubDate>Mon, 31 Mar 2008 00:00:00 EDT</pubDate>
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<item>
<title>Sappho in the Making</title>
<link>http://www.hup.harvard.edu/catalog/YATSAP.html</link>
<description>Dimitrios Yatromanolakis&lt;br /&gt;
This book offers the first interdisciplinary and in-depth study of the cultural practices and ideological paradigms that conditioned the politics of the &quot;reading&quot; of Sappho's songs in the early and most pivotal stages of her  reception. Yatromanolakis investigates visual representations and ancient texts in their synchronic and diachronic multilayeredness to trace the discursive nexuses that defined the making of &quot;Sappho&quot; in the late archaic, classical, and early Hellenistic periods.&lt;br /&gt;
Paperback March 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/YATSAP.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/YATSAP.html</guid>
<pubDate>Sun, 30 Mar 2008 00:00:00 EDT</pubDate>
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<title>Sugata Saurabha</title>
<link>http://www.hup.harvard.edu/catalog/LEWSUG.html</link>
<description>Edited by Todd T. Lewis&lt;br /&gt;
Edited by Subarna Man Tuladhar&lt;br /&gt;
Chittadhar Hrdaya&lt;br /&gt;
The poem was composed by the greatest modern writer in Newari language, Hrdaya (1906&amp;ndash; 1982), while he was imprisoned by the autocratic strongly pro-Hindu Rana regime that governed Nepal from the mid-nineteenth to the mid-twentieth century. In nineteen long cantos, the Sugata Saurabha tells of the life of the Buddha, following the traditional accounts, but situates it in the strongly local context of Newar and Nepali Buddhism.&lt;br /&gt;
Hardcover March 2008&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/LEWSUG.html</guid>
<pubDate>Sun, 30 Mar 2008 00:00:00 EDT</pubDate>
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<title>A Garland of Satire, Wisdom, and History</title>
<link>http://www.hup.harvard.edu/catalog/ZIOBOU.html</link>
<description>Edited by Jan Ziolkowski&lt;br /&gt;
Edited by Bridget K. Balint&lt;br /&gt;
This book brings into print editions, translations, and commentaries for more than two dozen unique poems (in Latin) from the late eleventh and early twelfth century, preserved in Houghton Library's anthology known as MS Lat 300. This book offers unparalleled access to the anthology, previously unavailable in English.&lt;br /&gt;
Paperback January 2008&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/ZIOBOU.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/ZIOBOU.html</guid>
<pubDate>Wed, 30 Jan 2008 00:00:00 EST</pubDate>
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<title>The Canon</title>
<link>http://www.hup.harvard.edu/catalog/CAVCAV.html</link>
<description>Constantine Cavafy&lt;br /&gt;
Translated by Stratis Haviaras&lt;br /&gt;
Foreword by Seamus Heaney&lt;br /&gt;
This volume of 154 poems by Constantine Cavafy is the entire body of work by the artist widely considered a master of modern Greek poetry. Published here in the original Greek, with a new English translation by the noted poet Stratis Haviaris on each facing page, and with a foreword by Seamus Heaney, The Canon is Cavafy, familiar and fresh, seen through new eyes, yet instantly recognized.&lt;br /&gt;
Paperback November 2007&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/CAVCAV.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/CAVCAV.html</guid>
<pubDate>Fri, 30 Nov 2007 00:00:00 EST</pubDate>
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<title>Our Secret Discipline</title>
<link>http://www.hup.harvard.edu/catalog/VENOUR.html</link>
<description>Helen Vendler&lt;br /&gt;
The fundamental difference between rhetoric and poetry, according to Yeats, is that rhetoric is the expression of one's quarrels with others while poetry is the expression (and sometimes the resolution) of one's quarrel with oneself. This is where Vendler's Our Secret Discipline begins. Through exquisite attention to outer and inner forms, Vendler explores the most inventive reaches of the poet's mind.&lt;br /&gt;
Hardcover November 2007&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/VENOUR.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/VENOUR.html</guid>
<pubDate>Thu, 29 Nov 2007 00:00:00 EST</pubDate>
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<title>The Moral Resonance of Arab Media</title>
<link>http://www.hup.harvard.edu/catalog/MILMOR.html</link>
<description>Flagg Miller&lt;br /&gt;
The Moral Resonance of Arab Media studies contemporary Arab political poetry, providing insights into how modern Arab media forms are shaped by language and culture. Through an examination of the lives and works of individual poets, singers, and audiences, it shows how tribalism becomes a resource for critical reform when expressed in tropes of community, place, person, and history.&lt;br /&gt;
Paperback September 2007&lt;br /&gt;
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&lt;img src=&quot;http://www.hup.harvard.edu/images/jackets/MILMOR.jpg&quot; /&gt;&lt;br /&gt;
</description>
<guid>http://www.hup.harvard.edu/catalog/MILMOR.html#MILMOR</guid>
<pubDate>Sun, 30 Sep 2007 00:00:00 EDT</pubDate>
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