After a long and painful transatlantic passage, African captives reached a continent they hadn’t even known existed, where they were treated in ways that broke every law of civilization as they understood it. This was the discovery of America for a good number of our ancestors, one quite different from the “paradise” Columbus heralded but no less instrumental in shaping the country’s history. What finding the New World meant to those who never sought it, and how they made the hostile, unfamiliar continent their own, is the subject of this volume, the first truly international collection of essays on African American literature and culture.
Distinguished scholars, critics, and writers from around the world gather here to examine a great variety of moments that have defined the African American experience. What were the values, images, and vocabulary that accompanied African “explorers” on their terrifying Columbiad, and what new forms did they develop to re-invent America from a black perspective? How did an extremely heterogeneous group of African pioneers remake themselves as African Americans? The authors search out answers in such diverse areas as slavery, the transatlantic tradition, urbanization, rape and lynching, gender, Paris, periodicals, festive moments, a Berlin ethnologist, Afrocentrism, Mark Twain, Spain, Casablanca, orality, the 1960s, Black–Jewish relations, television images, comedy, and magic. William Wells Brown, Frank Webb, W. E. B. Du Bois, Alain Locke, Zora Neale Hurston, Richard Wright, Etheridge Knight, Ishmael Reed, Toni Morrison, Gloria Naylor, and Charles Johnson are among the many writers they discuss in detail. The result, a landmark text in African American studies, reveals, within a broader context than ever before, the great and often unpredictable variety of complex cultural forces that have been at work in black America.
Black Columbiad nicely turns Eurocentric historiography inside out… Introduced and edited by Werner Sollors and Maria Diedrich, well-known scholars in this field, it makes stimulating reading… The book is wide-ranging in scope: from black carnivals in antebellum times to prospects in the year 2000; from African American perceptions of Paris to the subversiveness of jazz in Cold war Europe; from a consideration of the black magician Black Herman in terms of ‘race hero’ to an analysis of the myth of the black rapist and the tangle of tensions between African American criticism and feminist criticism… This collection has a refreshingly international perspective. And when you consider the extent to which African American experience has been about migration, dislocation and expatriation, this is as it should be… Black Columbiad opens up the field; most importantly, it opens up debate. Let there be more work done in this spirit.
This rather odd and wonderful book is as close to African American studies has come to a dance mix. The editors feel that [African American studies have] tended to concentrate on locating key historical moments and figures—and it’s time to get a bit more goofy. So here’s Room 222 and Emmett Till and Du Bois and Casablanca. Many of the contributors are European; they bring some deliciously fresh contributions to the diasporic stew.
Black Columbiad contains several articles which will make a considerable impact upon the individual scholarly fields to which they belong.
Thirty-five distinguished scholars, critics, and writers from around the world gather here to examine a great variety of moments that have defined the African-American experience.
- 6-3/8 x 9-1/4 inches
- Harvard University Press
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