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Performing Rites

Performing Rites

On the Value of Popular Music

Simon Frith

ISBN 9780674661967

Publication date: 02/06/1998

Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distill our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject--and discloses their place at the very center of the aesthetics that structure our culture and color our lives.

Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the undeniable impact of popular aesthetics on our lives. How we nod our heads or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's "for real"--these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here as not only meriting aesthetic judgments but also demanding them, and shaping our understanding of what all music means.


  • This is a good, and arguably a great book. I've long been a bit of a Frith groupie, but with Performing Rites he suddenly becomes the object of that one genuine academic emotion: envy. For more than 25 years, Simon Frith has held three very different commitments in balance. As a journalist he has commented on pop for the quality papers with accuracy and wit...He is also an academic, trained in classical sociology...[and he] is a soixante-huitard, fundamentally affected by the explosion of sex, drugs and rock and roll that at the cusp of the 1960s turned into the grim whinings of political correctness...In Performing Rites, Frith...[brings these commitments] together into a magisterial work...This is a deeply learned book.

    —Colin MacCabe, New Statesman & Society


  • Simon Frith, Tovey Professor of Music at the University of Edinburgh, has written extensively on pop music and culture for the Village Voice and the Sunday Times of London. He is the author of the contemporary classic Sound Effects.

Book Details

  • 360 pages
  • 6-1/8 x 9-1/4 inches
  • Harvard University Press