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Photography and the Art of Chance

Photography and the Art of Chance

Robin Kelsey

ISBN 9780674744004

Publication date: 05/26/2015

Photography has a unique relationship to chance. Anyone who has wielded a camera has taken a picture ruined by an ill-timed blink or enhanced by an unexpected gesture or expression. Although this proneness to chance may amuse the casual photographer, Robin Kelsey points out that historically it has been a mixed blessing for those seeking to make photographic art. On the one hand, it has weakened the bond between maker and picture, calling into question what a photograph can be said to say. On the other hand, it has given photography an extraordinary capacity to represent the unpredictable dynamism of modern life. By delving into these matters, Photography and the Art of Chance transforms our understanding of photography and the work of some of its most brilliant practitioners.

The effort to make photographic art has involved a call and response across generations. From the introduction of photography in 1839 to the end of the analog era, practitioners such as William Henry Fox Talbot, Julia Margaret Cameron, Alfred Stieglitz, Frederick Sommer, and John Baldessari built upon and critiqued one another’s work in their struggle to reconcile aesthetic aspiration and mechanical process. The root problem was the technology’s indifference, its insistence on giving a bucket the same attention as a bishop and capturing whatever wandered before the lens. Could such an automatic mechanism accommodate imagination? Could it make art? Photography and the Art of Chance reveals how daring innovators expanded the aesthetic limits of photography to create art for a modern world.

Praise

  • In examining 20th-century photography, [Kelsey] fearlessly wades into the war of words among critics, curators, philosophers and artists alike trying to nail down the jelly-like nature and importance of photography. His prose is concise and academically framed but with a pleasing lack of jargon that makes this book accessible to a non-academic reader, unlike many books published on photo history in the past two decades… Kelsey’s book is a first incursion into an issue that has not been well explored in print, and its conclusions and assertions will certainly be the start of many years of arguments… It should be a standard text for those studying the history of photography in depth. But it also gives lay readers an opportunity to look afresh at the canon of photography and gain a deeper understanding of the constant tension between the camera’s mechanical nature and the photographer’s art.

    —Roger Watson, Wall Street Journal

Author

  • Robin Kelsey is Shirley Carter Burden Professor of Photography at Harvard University.

Book Details

  • 416 pages
  • 6-1/8 x 9-1/4 inches
  • Belknap Press

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