“Now and then,” writes Lionel Trilling, “it is possible to observe the moral life in process of revising itself.” In this new book he is concerned with such a mutation: the process by which the arduous enterprise of sincerity, of being true to one’s self, came to occupy a place of supreme importance in the moral life—and the further shift which finds that place now usurped by the darker and still more strenuous modern ideal of authenticity. Instances range over the whole of Western literature and thought, from Shakespeare to Hegel to Sartre, from Robespierre to R. D. Laing, suggesting the contradictions and ironies to which the ideals of sincerity and authenticity give rise, most especially in contemporary life.
Lucid, and brilliantly framed, its view of cultural history will give Sincerity and Authenticity an important place among the works of this distinguished critic.
A beautifully written book, its tone admirably judged and perfectly sustained… It is wide, fastidious, and deeply thoughtful in its range of reference…Temperate, controlled and delicately scrupulous, it is a tribute if ever there was one to the ‘honest consciousness.’
Sincerity and Authenticity is not only about literature but is a literary performance itself. From page to page, Trilling expresses and articulates complex movements of thought and feeling through his modulated style, the dialectical structure and rhythm of his sentences and paragraphs. In this book, as in others, he writes to advance an argument and to resist and revise it—and, in the process, to trouble and complicate our responses as readers.
- 200 pages
- 5-1/2 x 8-3/8 inches
- Harvard University Press
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