The Art of Being is a powerful account of how the literary form of the novel reorients philosophy toward the meaning of existence. Yi-Ping Ong shows that for Kierkegaard, Sartre, and Beauvoir, the form of the novel in its classic phase yields the conditions for reconceptualizing the nature of self-knowledge, freedom, and the world. Their discovery gives rise to a radically new poetics of the nineteenth- and twentieth-century realist novel.
For the existentialists, a paradox lies at the heart of the novel. As a work of art, the novel exists as a given totality. At the same time, the capacity of the novel to compel belief in the free and independent existence of its characters depends on the absence of any perspective from which their lives may be viewed as a consummated whole. At stake in the poetics of the novel are the conditions under which knowledge of existence is possible. Ong’s reframing of foundational debates in novel theory takes us beyond old dichotomies of mind and world, interiority and totality, and form and mimesis. It illuminates existential dimensions of novelistic realism overlooked by empirical and sociological approaches.
Bringing together philosophy, novel theory, and intellectual history with groundbreaking readings of Tolstoy, Eliot, Austen, James, Flaubert, and Zola, The Art of Being reveals how the novel engages in its very form with philosophically rich notions of self-knowledge, freedom, authority, world, and the unfinished character of human life.
Anyone interested in the debates that have convulsed the study of the novel in recent years should read this book. It does more than any other piece of writing I’ve encountered to clarify the underlying stakes of the arguments about close reading versus distant, analog versus computational, depth versus surface…Ong’s masterful book raises questions that I suspect students of the novel will be grappling with for a long time.
The Art of Being is brilliant—a beautifully conceived book that brings existentialist philosophy into creative dialogue with literary texts. Full of original and compelling insights into the philosophical content of the novels examined, the intricate readings are absorbing and show how literature subtly reaches beyond itself into our lives.
Yi-Ping Ong wears her immense learning lightly. Her philosophical and literary analyses are elegant and supremely intelligent, and the range of figures that her book draws together results in some startling constellations. The Art of Being is a model of philosophical criticism.
- 304 pages
- 1-1/8 x 6-1/8 x 9-1/4 inches
- Harvard University Press
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