In this study of the Japanese jeweled pagoda mandalas, Halle O’Neal reveals the entangled realms of sacred body, beauty, and salvation. Much of the previous scholarship on these paintings concentrates on formal analysis and iconographic study of their narrative vignettes. This has marginalized the intriguing interplay of text and image at their heart, precluding a holistic understanding of the mandalas and diluting their full import in Buddhist visual culture. Word Embodied offers an alternative methodology, developing interdisciplinary insights into the social, religious, and artistic implications of this provocative entwining of word and image.
O’Neal unpacks the paintings’ revolutionary use of text as picture to show how this visual conflation mirrors important conceptual indivisibilities in medieval Japan. The textual pagoda projects the complex constellation of relics, reliquaries, scripture, and body in religious doctrine, practice, and art. Word Embodied also expands our thinking about the demands of viewing, recasting the audience as active producers of meaning and offering a novel perspective on disciplinary discussions of word and image that often presuppose an ontological divide between them. This examination of the jeweled pagoda mandalas, therefore, recovers crucial dynamics underlying Japanese Buddhist art, including invisibility, performative viewing, and the spectacular visualizations of embodiment.
O’Neal’s new book untangles these mandalas’ visual and performative complexity. Impressively researched and broadly conceived, the five chapters of this study investigate the key aspects of the jeweled pagoda mandalas’ composition, their textual and visual content, and the historical and cross-cultural contexts of their production…The feast of visual material investigated in O’Neal’s book is so rich.
Lively, provocative, and ambitious…Stands out as a very impressive, well-researched, satisfying, and nearly exhaustive study of relatively undocumented paintings and their historical circumstances…Serves in many ways as a model for scholarship on premodern Japanese Buddhist icons.
- 310 pages
- 7 x 10 inches
- Harvard University Asia Center
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