HARVARD CONTEMPORARY CHINA SERIES
Cover: After Mao in PAPERBACK

Harvard Contemporary China Series 1

After Mao

Chinese Literature and Society, 1978–1981

Edited by Jeffrey C. Kinkley

Currently unavailable

Product Details

PAPERBACK

$26.50 • £21.95 • €24.00

ISBN 9780674008854

Publication Date: 01/01/1985

Short

This is the first book in English to analyze the Chinese literary scene during the post-Mao thaw in government control. The seven contributors originally presented their research at a 1982 international conference at St. John’s University, New York, which was attended by scholars from America, Europe, and Asia, including participants from the People’s Republic of China and Taiwan.

The special focus on popular literature—science fiction, love stories, detective fiction—reflects China’s new urban mass culture. These popular genres, plus the new “obscure” poetry, and the short-lived literary magazine Today are examined from an international comparative perspective and from a variety of viewpoints—literary, social, historical, political.

Those social and political realities that help determine what books are on hand in China for people to read are discussed. The final chapter presents data on periodical sales, book sales, library borrowings, and readers’ stated preferences in large cities, with emphasis on Canton. Such investigations into what the Chinese public was writing and reading in the years 1978–1981 throw new light on Chinese social attitudes, ideals, morals, and taste.

Recent News

Black lives matter. Black voices matter. A statement from HUP »

From Our Blog

Jacket: The Cabinet: George Washington and the Creation of an American Institution, by Lindsay Chervinsky, from Harvard University Press

Why You Should Participate in an (Online) Book Club

Online book clubs can be a rewarding way to connect with readers, Lindsay Chervinsky discovered, when she was invited to join one to discuss her book, The Cabinet: George Washington and the Creation of an American Institution. Since my book was published in April 2020, I’ve discovered that my work appeals to three main audiences. First, the general readers who are enthusiastic about history, attend virtual events, and tend to support local historic sites. Second, readers who are curious about our government institutions and the current political climate and are looking for answers about its origins. And third, history, social studies, and government teachers