- Illustrations
- Preface [Ellen Widmer]
- Contributors
- Introduction [Lydia H. Liu and Judith T. Zeitlin]
- I. The Circulation of Writing
- 1. On Rubbings: Their Materiality and Historicity [Wu Hung]
- 2. Disappearing Verses: Writing on Walls and Anxieties of Loss [Judith T. Zeitlin]
- 3. The Literary Consumption of Actors in Seventeenth-Century China [Sophie Volpp]
- II. Print Culture and Networks of Reading
- 4. Jin Ping Mei and Late Ming Print Culture [Shang Wei]
- 5. Duplicating the Strength of Feeling: The Circulation of Qingshu in the Late Ming [Kathryn Lowry]
- 6. Considering a Coincidence: The “Female Reading Public” circa 1828 [Ellen Widmer]
- III. The Late Qing Periodical Press: New Images, New Fiction
- 7. The New Novel Before the New Novel: John Fryer’s Fiction Contest [Anonymous]
- 8. The Weird in the Newspaper [Rania Huntington]
- 9. Creating the Urban Beauty: The Shanghai Courtesan in Late Qing Illustrations [Catherine Vance Yeh]
- IV. Ethnography, Media, and Ideology
- 10. Texts on the Right and Pictures on the Left: Reading the Qing Record of Frontier Taiwan [Emma J. Teng]
- 11. Tope and Topos: The Leifeng Pagoda and the Discourse of the Demonic [Eugene Y. Wang]
- 12. A Folksong Immortal and Official Popular Culture in Twentieth-Century China [Lydia H. Liu]
- Reference Matter
- Index
HARVARD-YENCHING INSTITUTE MONOGRAPH SERIES

Harvard-Yenching Institute Monograph Series 58
Writing and Materiality in China
Essays in Honor of Patrick Hanan
Product Details
HARDCOVER
$60.00 • £52.95 • €54.95
ISBN 9780674010987
Publication Date: 05/30/2003
672 pages
6 x 9 inches
94 illustrations
Harvard University Asia Center > Harvard-Yenching Institute Monograph Series
World, subsidiary rights restricted