Cover: A Most Amazing Scene of Wonders: Electricity and Enlightenment in Early America, from Harvard University PressCover: A Most Amazing Scene of Wonders in HARDCOVER

A Most Amazing Scene of Wonders

Electricity and Enlightenment in Early America

Add to Cart

Product Details

HARDCOVER

$31.50 • £25.95 • €28.50

ISBN 9780674022997

Publication Date: 10/15/2006

Short

384 pages

5-1/2 x 8-1/4 inches

15 halftones, 2 maps

World

[An] excellent new book… Delbourgo succeeds admirably in closing a lacuna in our understanding of the period, by providing a cultural history of science and the Enlightenment in America.—P. D. Smith, The Times Literary Supplement

[A] well-researched and engaging study of science in early America… Delbourgo complicates our understanding of a particularly American enlightenment by demonstrating how social structures shaped scientific inquiry. America both depended upon and rebelled against European naturalists, preferring to forge an individualistic naturalism that incorporated religious fervor, spiritualism, materialism, and competing epistemologies. Underlying any scientific claims was a fierce commitment to individual experience and personal testimony, and an equally fierce rejection of hierarchal expertise.—Linda Simon, American Historical Review

James Delbourgo’s cultural history of electricity in early America benefits considerably from its attention to the circulation of knowledge across the Atlantic. It provides a fresh analysis of Franklin’s work while also offering a fascinating case study of the intellectual, natural-philosophical exchanges between the Old and the New Worlds.—Paola Bertucci, British Journal for the History of Science

Makes quite a number of fascinating observations with regard to public demonstrations of the effects of electricity… Although [not] directly concerned with visual culture or audiovisual media, [it’s] an interesting read for all those who want to know more about the cultural contexts for such forms of popular entertainment in the eighteenth, nineteenth and early twentieth centuries.—Frank Kessler, Early Popular Visual Culture

A Most Amazing Scene of Wonders provides an interesting look into the almost childish excitement with which electricity was viewed before its ubiquity and power made it both dangerous and banal. Early America had enormous intellectual diversity, much like our own time. Their reactions sometimes resonate with contemporary cultural and political norms, and other times seem quite modern.—John L. Neufeld, Enterprise and Society

James Delbourgo’s very fine book sets out to examine how electricity came to have such cultural significance in eighteenth-century America… The display of scholarship never intrudes on the lucidly written prose, and the notes are discreetly sequestered at the end of the volume. Readers without a specialist interest will find the book very accessible… Delbourgo refers to the works of enlightened savants as having staked out a ‘middle ground’ between elite science and popular entertainment; he might be said to have situated his own project on the same terrain. To accomplish this, and at the same time to speak with authority to scholars in several fields, is a significant achievement.—Jan Golinski, Isis

In this groundbreaking book, A Most Amazing Scene of Wonders, James Delbourgo shows us how pervasively electricity coursed through the bodies, technologies, imaginations, and rhetorics of early America… Delbourgo introduces the reader to facets of the cultures of electricity that have, until now, remained obscure. That is where the originality of the book lies and where Delbourgo’s exhaustive digging in the far-flung provinces of early American life payoff… This capacious book extends the historiography of science to include its vital non-European locales and corrects the historiography of early America by demonstrating how much the circuits of science animated culture.—Susan Scott Parrish, Journal of American History

James Delbourgo’s book is a significant addition to the literature on science and the Enlightenment. Focusing on a geographical area comparatively neglected by historians of science—early America and the British Atlantic, from the 1740s to ca. 1800—Delbourgo raises a number of issues that claim relevance for our understanding of science and the Enlightenment generally.—Giuliano Pancaldi, Nuncius

The history of electricity in eighteenth-century America is very often reduced to the iconic image of Benjamin Franklin alone in a rainstorm holding aloft his kite to which is attached a key--the key to American science some might say. James Delbourgo’s admirable new book reveals that Franklin was but one player in the development and integration of electrical science into the American consciousness during the Enlightenment. Indeed, A Most Amazing Scene of Wonders introduces readers to a host of overlooked electricians (the contemporary term given those who studied or performed with electricity) such as T. Gale, Ebenezer Kinnersley, Elisha Perkins, Archibald Spencer, Henry Moyes, and Samuel Domjen, to name only a few of Delbourgo’s intriguing cast of characters. With his fine book Delbourgo joins a growing list of scholars who have lately considered provincialism, issues of the body, questions of vitalism, and indeed of ‘Enlightenment’ itself in eighteenth-century studies of Nature and its workings… Delbourgo’s analysis, which illustrates that very little in eighteenth-century America, whether religious, political, medical, or public spectacle, happened independently of electricity. The result is a compelling cultural history of electricity and of early America that deserves a wide readership. Delbourgo’s book is yet another example of very exciting times in the history of science.—Jeffrey R. Wigelsworth, University of Toronto Quarterly

Moving beyond while not abandoning the story of Benjamin Franklin’s discovery, A Most Amazing Scene of Wonders presents electricity as the story of the American Enlightenment… Delbourgo shows what was uniquely American about electricity at the same time that he connects it to broader Atlantic trends.—Sarah Rivett, William and Mary Quarterly

Every once in a while, after finishing a work of history, I have the sense that I could have an engaged and engaging conversation with someone in the past. Reading James Delbourgo’s book, I had that feeling. He shows that the experience of electricity in all its forms provides a powerful opening onto the experience of the Enlightenment by ordinary people. This wonderful book allows us almost to touch and feel the lost world of emerging science and systematic knowledge.—John L. Brooke, author of The Refiner’s Fire

A lucid, original cultural history of electricity in colonial British America. No one until Delbourgo has paid attention to the world of savants, preachers, itinerant merchants, natural philosophers, curiosity mongers, millenarian physicians, and polite audiences amidst whose views on electricity Franklin hammered out innovative theories and experiments. Clearly breaking new ground, Delbourgo uses the science of electricity to shed light on religion to politics to medicine to the nature of the public sphere.—Jorge Cañizares-Esguerra, author of How to Write the History of the New World

Does electricity explain everything about the American Enlightenment? James Delbourgo makes a convincing case that it does. A wonderful book on a wonderful topic. Anyone interested in early America’s cultural history will learn much from Delbourgo’s learned and readable interpretation.—Joyce Chaplin, author of The First Scientific American: Benjamin Franklin and the Pursuit of Genius

In a remarkably ambitious and brilliantly executed study, Delbourgo turns the tables on received histories of science, enlightenment, and practical reason in the American colonies. With subtle mastery and ingenious flair, he illuminates a world of mystical piety, commercial medicine, and transatlantic science. This compelling book is for anyone interested in the roots of America’s modern sense of science’s place and of its crucial attitudes to expertise, authority, and intellectual life.—Simon Schaffer, University of Cambridge

Recent News

From Our Blog

Cover: Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present, by Harold Bloom, from Harvard University Press

Remembering Harold Bloom

Harold Bloom, the literary critic who championed the Western canon, died at age 89 last month. Lindsay Waters, HUP Executive Editor for the Humanities, looks back on their publishing history, their friendship, and Bloom’s great contributions to the literary community

‘manifold glories of classical Greek and Latin’

The digital Loeb Classical Library (loebclassics.com) extends the founding mission of James Loeb with an interconnected, fully searchable, perpetually growing virtual library of all that is important in Greek and Latin literature.