- Preface
- List of Illustrations*
- I. The Virtual Life of Film
- 1. Futureworld
- 2. The Incredible Shrinking Medium
- 3. Back to the Future
- II: What Was Cinema?
- 4. Film Begets Video
- 5. The Death of Cinema and the Birth of Film Studies
- 6. A Medium in All Things
- 7. Automatisms and Art
- 8. Automatism and Photography
- 9. Succession and the Film Strip
- 10. Ways of Worldmaking
- 11. A World Past
- 12. An Ethics of Time
- III: A New Landscape (without Image)
- 13. An Elegy for Film
- 14. The New “Media”
- 15. Paradoxes of Perceptual Realism
- 16. Real Is as Real Does
- 17. Lost in Translation: Analogy and Index Revisited
- 18. Simulation, or Automatism as Algorithm
- 19. An Image That Is Not “One”
- 20. Two Futures for Electronic Images, or What Comes after Photography?
- 21. The Digital Event
- 22. Transcoded Ontologies, or “A Guess at the Riddle”
- 23. Old and New, or the (Virtual) Renascence of Cinema Studies
- Acknowledgments
- * Illustrations:
- Frame enlargement from 2001: A Space Odyssey (1968)
- Frame enlargement from Jurassic Park (1993)
- Man Ray, Self-portrait with camera (1931)
- Rayography: Film strip and sphere (1922)
- The Battle of Waterloo (ca. 1820)
- Alexander Gardner, A Harvest of Death (1863)
- The two camera set-ups of Numéro zéro (1971)
- Two frame enlargements from Eloge de l’amour (2003)
- Frame enlargement from Forrest Gump (1994)
- The two “worlds” of The Matrix (1999)
- Frame enlargement from Arabesque (John Whitney, 1975)
- Abu Ghraib documentation (2003)
- Sam Taylor-Wood, Pietà (2001)
- Raw data from Russian Ark (2002)
- Frame enlargement from Russian Ark (2002)