THE I TATTI RENAISSANCE LIBRARY
Cover: Sacred Painting. Museum, from Harvard University PressCover: Sacred Painting. Museum in HARDCOVER

The I Tatti Renaissance Library 44

Sacred Painting. Museum

Federico Borromeo

Edited and translated by Kenneth S. Rothwell, Jr.

Introduction and notes by Pamela M. Jones

Add to Cart

Product Details

HARDCOVER

$29.95 • £19.95 • €21.00

ISBN 9780674047587

Publication Date: 06/01/2010

Short

336 pages

5-1/4 x 8 inches

10 halftones

The I Tatti Renaissance Library

World

Federico Borromeo, Cardinal-Archbishop of Milan (1564–1631), is well known as a leading Catholic reformer and as the founder of the Ambrosiana library, art collection, and academy in that city. Less known is the fact that the institution’s art museum was the culmination of many decades of reflection on the aesthetic qualities and religious roles of art. Borromeo recorded his reflections in two treatises.

De pictura sacra (Sacred Painting, 1624) laid out the rules that artists should follow when creating religious art. Borromeo touched on dozens of iconographical issues and in so doing drew on his deep knowledge not only of church fathers, councils, and scripture but also of classical art and literature. In Musæum (1625) Borromeo showed a less doctrinaire and more personal side by walking the reader through the Ambrosiana and commenting on specific works in his collection. He offered some of the earliest and most important critiques to survive on works by artists such as Leonardo, Titian, and Jan Brueghel the Elder.

This volume offers, for the first time, translations of the treatises directly into English as well as freshly edited Latin texts, an introduction, extensive notes, and an appendix on the Academy of Design that was established in conjunction with the museum. These treatises will be of great interest to students of the history of art, museums, and religion.

Recent News

From Our Blog

Jacket, Author Unknown: The Power of Anonymity in Ancient Rome, by Tom Geue, from Harvard University Press

Who Needs an Author?

In his new book Author Unknown: The Power of Anonymity in Ancient Rome, classicist Tom Geue asks us to work with anonymity rather than against it and to appreciate the continuing power of anonymity in our own time. Here, he discusses the history—and strength—of anonymous works of literature. Back in the roaring ’20s, I. A. Richar

‘manifold glories of classical Greek and Latin’

The digital Loeb Classical Library (loebclassics.com) extends the founding mission of James Loeb with an interconnected, fully searchable, perpetually growing virtual library of all that is important in Greek and Latin literature.