THE IMAGE OF THE BLACK IN WESTERN ART
Cover: The Image of the Black in Western Art, Volume IV: From the American Revolution to World War I, Part 1: Slaves and Liberators: New Edition, from Harvard University PressCover: The Image of the Black in Western Art, Volume IV: From the American Revolution to World War I, Part 1: Slaves and Liberators in HARDCOVER

The Image of the Black in Western Art, Volume IV: From the American Revolution to World War I, Part 1: Slaves and Liberators

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HARDCOVER

$106.00 • £84.95 • €95.50

ISBN 9780674052598

Publication Date: 05/07/2012

Short

  • Preface to The Image of the Black in Western Art [David Bindman and Henry Louis Gates, Jr.]
  • Acknowledgments to the New Edition [David Bindman, Karen C.C. Dalton, and Henry Louis Gates, Jr.]
  • Introduction to the New Edition [David Bindman]
  • 1. The Atlantic Triangle
  • 2. Philanthropic Conquest
  • 3. Uncle Tom or the Freed Slave, 1852–1876
  • 4. Memorials—or the Glory of Empire
  • Appendix
    • Acknowledgments to the First Edition [Ladislas Bugner]
    • Introduction to the First Edition [Hugh Honour]
  • Abbreviations
  • Notes
  • Illustrations
  • Index

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Jacket: An Inquiry into Modes of Existence: An Anthropology of the Moderns, by Bruno Latour, translated by Catherine Porter, from Harvard University Press

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In awarding Bruno Latour the 2021 Kyoto Prize for Arts and Philosophy, the Inamori Foundation said he has “revolutionized the conventional view of science” and “his philosophy re-examines ‘modernity’ based on the dualism of nature and society.” Below is an excerpt from An Inquiry into Modes of Existence: An Anthropology of the Moderns. For more than twenty years, scientific and technological controversies have proliferated in number and scope, eventually reaching the climate itself. Since geologists are beginning to use the term “Anthropocene” to designate the era of Earth’s history that follows the Holocene