Cover: Personification and the Sublime: Milton to Coleridge, from Harvard University PressCover: Personification and the Sublime in E-DITION

Personification and the Sublime

Milton to Coleridge

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Product Details

E-DITION

$65.00 • £54.95 • €60.00

ISBN 9780674181670

Publication Date: 09/30/1985

178 pages

World

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Eighteenth-century and Romantic readers had a peculiar habit of calling personified abstractions “sublime.” This has always seemed mysterious, since the same readers so often expressed a feeling that there was something wrong with turning ideas into people—or, worse, turning people into ideas. In this wide-ranging, carefully argued study, Steven Knapp explains the connection between personification and the aesthetics of the sublime.

Personifications, such as Milton’s controversial figures of Sin and Death in Paradise Lost, were seen to embody a unique combination of imaginative power and overt fictionality, and these, Knapp shows, were exactly the conflicting requirements of the sublime in general. He argues that the uneasiness readers felt toward sublime personifications was symptomatic of broader ambivalences toward archaic beliefs, political and religious violence, and poetic fiction as such.

Drawing on recent interpretations of Romanticism, allegory, and the sublime, Knapp provides important new readings of Coleridge, Wordsworth, Kant, and William Collins. His provocative thesis sheds new light on the relationship between Romanticism and the eighteenth century.

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Jacket: Awakening: How Gays and Lesbians Brought Marriage Equality to America, by Nathaniel Frank, from Harvard University Press

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To celebrate Pride Month, we are highlighting excerpts from books that explore the lives and experiences of the LGBT+ community. Nathaniel Frank’s Awakening: How Gays and Lesbians Brought Marriage Equality to America tells the dramatic story of the struggle for same-sex couples to legally marry, something that is now taken for granted. Below, he describes the beginnings of the gay rights movement. For homophiles of the 1950s, identifying as gay was almost always a risky and radical act