Cover: Inky Fingers: The Making of Books in Early Modern Europe, from Harvard University PressCover: Inky Fingers in HARDCOVER

Inky Fingers

The Making of Books in Early Modern Europe

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Product Details


$39.95 • £31.95 • €36.00

ISBN 9780674237179

Publication Date: 06/09/2020


392 pages

6-1/8 x 9-1/4 inches

6 Illus.

Belknap Press


As usual, Grafton presents largely unfamiliar material—his last essay looks at precursors to Spinoza’s rationalist approach to biblical interpretation—in a clear, even breezy style… Erudite.—Michael Dirda, The Washington Post

Grafton describes magnificent achievements, storms of controversy, and sometimes the pure devilment of scholars and printers, from the 15th to the early 17th centuries… Captivating and often amusing.The Wall Street Journal

The essays…repopulate the world of high scholarship with participants of all social ranks, dragging the most rarefied ideas down to earth… For all his own intellectual daring, Grafton’s sympathies lie with gruntwork. Originality is upstaged by transmission, inspiration by logistics. Ideas, in this vivid telling, emerge not just from minds but from hands, not to mention the biceps that crank a press or heft a ream of paper.—Leah Price, The New York Review of Books

A new book by Grafton is always a cause for celebration.Choice

Grafton’s sweeping erudition and meticulous scholarship are on display in Inky Fingers, which offers us a look over the shoulders of theologians and humanist scholars. His case studies illuminate how ‘traditional’ historical skills—the careful reading of texts, the deciphering of marginalia, and the tracing of arcane references—still hold countless possibilities for new readings and revelations.—Daniel Jütte, author of The Strait Gate: Thresholds and Power in Western History

Inky Fingers directs our attention to the inky realities of book production and the messiness of everyday life. To erase urban contexts, correspondence networks, financial burdens, and other human factors from the early modern narrative, Grafton shows us, is to distort how new ideas—both famous and obscure—came into being. An excellent and thought-provoking book!—Ada Palmer, author of Reading Lucretius in the Renaissance and the Terra Ignota series

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