HARVARD EAST ASIAN MONOGRAPHS
Cover: Chinese Ways of Seeing and Open-Air Painting, from Harvard University PressCover: Chinese Ways of Seeing and Open-Air Painting in HARDCOVER

Harvard East Asian Monographs 430

Chinese Ways of Seeing and Open-Air Painting

Add to Cart

Product Details

HARDCOVER

$75.00 • £60.95 • €67.50

ISBN 9780674244443

Publication Date: 06/16/2020

Text

320 pages

7 x 10 inches

18 photos, 67 color photos

Harvard University Asia Center > Harvard East Asian Monographs

World

How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China?

Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there.

Recent News

Black lives matter. Black voices matter. A statement from HUP »

From Our Blog

Jacket: Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound, by Daphne A. Brooks, from Harvard University Press

“Everything I Wanted”: Black Women Listeners and the High Fidelity Culture of Taste-Making

Daphne A. Brooks, author of Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound, praises Hulu’s High Fidelity series, whose main characters are creative, intelligent Black women who are passionate about music and confident in their tastes and opinions. Where are the other shows like it?