VILLA I TATTI SERIES
Cover: Persian Manuscripts and Paintings from the Berenson Collection, from Harvard University PressCover: Persian Manuscripts and Paintings from the Berenson Collection in PAPERBACK

Villa I Tatti Series 35

Persian Manuscripts and Paintings from the Berenson Collection

Not yet available

Product Details

PAPERBACK

$45.00 • £36.95 • €40.50

ISBN 9780674261242

Publication Date: 12/28/2021

Text

208 pages

10 x 12 inches

2 photos, 78 color illus.

Villa I Tatti > Villa I Tatti Series

World

The Bernard and Mary Berenson Collection of Persian Manuscripts and Paintings at I Tatti presents an in-depth analysis of the little-known Persian manuscripts and paintings collected by the world-renowned art historian, art critic, and connoisseur Bernard Berenson (1865–1959). It focuses on three manuscripts and four detached folios (containing over fifty paintings) from the fourteenth to the seventeenth century produced in Iran and Central Asia (with a later addition in Mughal India).

Fourteen essays are written by an international team of specialists in art history, Persian literature, statistics, conservation, and conservation science. The first two essays introduce Berenson’s collecting of these art works as an individual and as a trend among other collectors. The rest of the essays explain individual works of art. The Timurid Rasaʾil and the Safavid manuscripts Shahnama of Firdawsi and Farhad va Shirin of Vahshi are examined in groups of essays ranging from art historical to literary, statistical, and codicological analysis. The detached folios studied as single essays originate from the famous Great Mongol Shahnama; the 1436 Timurid Zafarnama of Sharaf al-Din ʿAli Yazdi; a Turkman Shahnama; and the dispersed Imperial Mughal Album also known as the Minto, Wantage, and Kevorkian albums. The appendix refers to the materials and techniques of the paintings in the volume.

Recent News

Black lives matter. Black voices matter. A statement from HUP »

From Our Blog

Jacket: An Inquiry into Modes of Existence: An Anthropology of the Moderns, by Bruno Latour, translated by Catherine Porter, from Harvard University Press

Honoring Latour

In awarding Bruno Latour the 2021 Kyoto Prize for Arts and Philosophy, the Inamori Foundation said he has “revolutionized the conventional view of science” and “his philosophy re-examines ‘modernity’ based on the dualism of nature and society.” Below is an excerpt from An Inquiry into Modes of Existence: An Anthropology of the Moderns. For more than twenty years, scientific and technological controversies have proliferated in number and scope, eventually reaching the climate itself. Since geologists are beginning to use the term “Anthropocene” to designate the era of Earth’s history that follows the Holocene