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- Preface
- 1. The Emperor’s Audience: Nero and the Theatrical Paradigm
- 2. The Invasion of the Stage: Nero Tragoedus
- 3. Oppositional Innuendo: Performance, Allusion, and the Audience
- 4. Praise and Doublespeak: Tacitus’ Dialogus and Juvenal’s Seventh Satire
- 5. The Art of Sincerity: Pliny’s Panegyricus
- Epilogue
- Appendix 1. The “Cena Trimalchionis” as Theater
- Appendix 2. Did Maternus Destroy Vatinius Through His Play?
- Appendix 3. [Longinus’] On The Sublime §44 And Maternus’ Eulogy
- Notes
- Bibliography
- Index
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