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- Introduction
- I. Representing Thought
- 1. Iconographies of Thought
- 2. Two Frames in the Iconography of Thinking: The Satanic and the Quixotic
- 3. The Distractions of Wit in the English Renaissance
- 4. Standing, Waiting, and Traveling Light: Milton and the Drama of Information
- II. Representative Thinking
- 5. Allegorical Secrecy, Gnomic Obscurity
- 6. The Language-Game of Prophecy in Renaissance Poetics
- 7. The Father of Lies
- 8. Dipintura: The Visual Icon of Historicism in Vico
- 9. Threshold, Sequence, and Personification in Coleridge
- 10. Silence and the Voice of Thought
- 11. Music and the Code of the Ineffable: Visconti’s Death in Venice
- 12. The Image of Lost Direction
- 13. Style and the Extreme Situation
- 14. Stevens and the Influential Gnome
- Notes
- Index
Dumbarton Oaks Medieval Library
I Tatti Renaissance Library
Loeb Classical Library
Murty Classical Library of India