Cover: A History of Modern Poetry, Volume II: Modernism and After, from Harvard University PressCover: A History of Modern Poetry, Volume II: Modernism and After in PAPERBACK

A History of Modern Poetry, Volume II: Modernism and After

Add to Cart

Product Details

PAPERBACK

$42.00 • £33.95 • €38.00

ISBN 9780674399471

Publication Date: 10/15/1989

Short

712 pages

5-1/2 x 8-1/4 inches

Belknap Press

A History of Modern Poetry

World

  • I. The Age of High Modernism
    • 1. The Ascendancy of T. S. Eliot, 1925–1950
    • 2. Eliot’s Later Career
      • “The Hollow Men” and Ash Wednesday
      • Four Quartets
    • 3. Modes of Modern Style in the United States
      • E. E. Cummings
      • Archibald MacLeish
      • Robinson Jeffers
    • 4. Hart Crane
      • “A Plate of Vibrant Mercury”
      • The Bridge
    • 5. The Poetry of Critical Intelligence
      • Sources and History of the Style
      • Metaphysical Wit
      • Samples of the Style
      • Laura Riding
      • Robert Graves
      • William Empson
      • John Crowe Ransom
      • Allen Tate
      • Yvor Winters
    • 6. The Period Style of the 1930s in England
      • The Impact of Auden
      • Coming after the Modernists
      • Poetry as Thinking and Talking
      • The English Tradition
      • Freud, Marx, and Lawrence
      • Politics and Romantic Convention
      • Day-Lewis, MacNeice, and Spender
    • 7. W. H. Auden
      • Auden in the 1930s
      • Long Poems of the 1940s
      • Poetry as Conversation
      • The Later Auden
    • 8. The English Romantic Revival, 1934–1945
      • The Beginnings of the Romantic Revival: Dylan Thomas, David Gascoyne, and George Barker
      • Edwin Muir
      • The War Years
  • II. The Resurgence of Pound, Williams, and Stevens
    • 9. Reappraising the Modernists
    • 10. Ezra Pound: The Cantos
      • Components of the Texture
      • Ideograms
      • Incremental Repetition
      • Major Form
      • The Pisan Cantos
      • Paradiso
    • 11. The Impact of William Carlos Williams
      • The Williams Lyric
      • The Theory of the Poem
      • Paterson and the Last Poems
    • 12. The Later Poetry of Wallace Stevens
      • Harmonium
      • “Winter Devising Summer in Its Breast”
      • “The Theory of Poetry Is the Theory of Life”
      • The Myth of a Sufficing Naturalism
      • The Major Poetry of the Final Phase
    • 13. Other Modernist Poets
      • David Jones
      • Basil Bunting
      • David Ignatow
      • Louis Zukofsky and the Objectivists
  • III. Postmodernism
    • 14. The Postwar Period: Introduction
      • The Concept of a Period Style
      • Poetry in the United States
      • The Development of Contemporary Poetry
    • 15. Robert Penn Warren, Theodore Roethke, and Elizabeth Bishop
      • Robert Penn Warren
      • Minor American Poets and the Return of Romantic Values
      • Theodore Roethke
      • Elizabeth Bishop
    • 16. Breaking through the New Criticism
      • Richard Wilbur
      • Randall Jarrell
      • John Berryman
      • Homage to Mistress Bradstreet
      • The Dream Songs
    • 17. Robert Lowell
      • Style as “Hardship”
      • Life Studies
      • Lowell’s Later Career
    • 18. In and Out of the Movement: The Generation of the 1950s in England
      • The Movement
      • The Style of the 1950s
      • Orientations to an Audience
      • Roy Fuller, C. H. Sisson, and R. S. Thomas
      • Larkin and His Contemporaries
    • 19. English Poetry in the 1960s and 1970s
      • Charles Tomlinson
      • Ted Hughes
      • Geoffrey Hill
      • Thom Gunn
    • 20. The Poetry of Ireland
      • Austin Clarke
      • Patrick Kavanagh
      • Thomas Kinsella
      • John Montague and Michael Longley
      • Seamus Heaney
    • 21. Open Form
      • Derivations from Pound and Williams
      • The Theory of Open Form
      • Syntax as Kinesis
      • Charles Olson
      • Robert Creeley
      • Denise Levertov, Edward Dorn, and Paul Blackburn
      • Robert Duncan
    • 22. Poetry in New York and San Francisco
      • Frank O’Hara and the “New York School”
      • Minor Poets of San Francisco
      • The Countercultural Ethos
      • Allen Ginsberg
    • 23. Against “Civilization”
      • A Shared Style
      • A Modal Poem
      • Robert Bly
      • James Wright
      • Galway Kinnell
      • W. S. Merwin
      • Gary Snyder
    • 24. Sylvia Plath, Anne Sexton, and Adrienne Rich
      • Sylvia Plath
      • Anne Sexton
      • Adrienne Rich
    • 25. Black Poets of America
      • Melvin Tolson
      • Robert Hayden
      • Gwendolyn Brooks
      • Amiri Baraka (LeRoi Jones)
    • 26. Meditations of the Solitary Mind: John Ashbery and A. R. Ammons
      • John Ashbery
      • The Nature of the Real
      • Unsaying What You Say While You Are Saying It
      • Reading Ashbery
      • A. R. Ammons
    • 27. The Achievement of James Merrill
      • The Changing Light at Sandover
      • Merrill’s Trilogy in Literary History
      • Readers versus the Ouija Board
      • “The Book of Ephraim”
      • Mirabell and Scripts for the Pageant
  • Acknowledgments
  • Index

From Our Blog

Jacket: The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America, by Khalil Gibran Muhammad, from Harvard University Press

“Predictive Policing” and Racial Profiling

While technology used in policing has improved, it hasn’t progressed, says Khalil Gibran Muhammad, if racial biases are built into those new technologies. This excerpt from his book, The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America, shows that for the reform called for by the current protests against systemic racism and racially-biased policing to be fulfilled, the police—especially those at the top—will need to change their pre-programmed views on race and the way they see the Black citizens they are supposed to “serve and protect.”