Cover: The Shape of Things Known: Sidney's <i>Apology</i> in Its Philosophical Tradition, from Harvard University PressCover: The Shape of Things Known in E-DITION

The Shape of Things Known

Sidney's Apology in Its Philosophical Tradition

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E-DITION

$65.00 • £54.95 • €60.00

ISBN 9780674420489

Publication Date: 01/01/1972

230 pages

World

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Sidney’s habit of describing poetry by visual analogy—“a speaking picture,” “images of virtue”—has usually been understood to mean that poetry is a verbal rendering of concrete things. Forrest Robinson’s examination of Sidney’s background and his work, however, reveals that there is very little that is concrete in Sidney’s aesthetic. Indeed, the author maintains, by “picture” Sidney meant something abstract—and idea, a mental picture—surveyed by the poet as he writes his poem and by the reader as he reads it. In his analysis of Sidney’s basic premises about poetry, Robinson places Sidney’s ideas in the context of visual epistemology.

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Jacket: An Inquiry into Modes of Existence: An Anthropology of the Moderns, by Bruno Latour, translated by Catherine Porter, from Harvard University Press

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In awarding Bruno Latour the 2021 Kyoto Prize for Arts and Philosophy, the Inamori Foundation said he has “revolutionized the conventional view of science” and “his philosophy re-examines ‘modernity’ based on the dualism of nature and society.” Below is an excerpt from An Inquiry into Modes of Existence: An Anthropology of the Moderns. For more than twenty years, scientific and technological controversies have proliferated in number and scope, eventually reaching the climate itself. Since geologists are beginning to use the term “Anthropocene” to designate the era of Earth’s history that follows the Holocene