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- Acknowledgments
- Introduction
- 1. The Voice of Tradition and the Voice from Within: The Crisis of the Symphony after Beethoven
- 2. Sinfonia anti-eroica: Berlioz’s Harold en Italie
- 3. The Flight of Icarus: Mendelssohn’s Lobgesang
- 4. Going to Extremes: Schumann’s Fourth Symphony
- 5. The Ideology of Genre: Brahm’s First Symphony
- 6. Ambivalent Elysium: Mahler’s Fourth Symphony
- Selected Bibliography
- Index