Cover: Being Property Once Myself: Blackness and the End of Man, from Harvard University PressCover: Being Property Once Myself in HARDCOVER

Being Property Once Myself

Blackness and the End of Man

A prize-winning poet argues that blackness acts as the caesura between human and nonhuman, man and animal.

Throughout U.S. history, black people have been configured as sociolegal nonpersons, a subgenre of the human. Being Property Once Myself delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal figure—the rat, the cock, the mule, the dog, and the shark—in the works of black authors such as Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the simultaneous valuation and sale of animals and enslaved people—all are sites made unforgettable by literature in which we find black and animal life in fraught proximity.

Joshua Bennett argues that animal figures are deployed in these texts to assert a theory of black sociality and to combat dominant claims about the limits of personhood. Bennett also turns to the black radical tradition to challenge the pervasiveness of antiblackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a close reading of undertheorized notions of dehumanization and the Anthropocene.

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Q&A with William F. Schulz and Sushma Raman, authors of The Coming Good Society: Why New Realities Demand New Rights

As times change so must we as a society, and that includes our conception of rights, say William F. Schulz and Sushma Raman, whose new book, The Coming Good Society: Why New Realities Demand New Rights, came out just as Black Lives Matter protesters filled the streets this summer. We spoke with them about the current view—and the future—of human rights. How do you understand the purpose of rights? What function do they serve in a society?