Dumbarton Oaks Papers, 71

Founded in 1941, the annual journal Dumbarton Oaks Papers is dedicated to the publication of articles relating to late antique, early medieval, and Byzantine civilization in the fields of art and architecture, history, archaeology, literature, theology, law, and auxiliary disciplines.

In this issue: Maya Maskarinec, “Saints for All Christendom: Naturalizing the Alexandrian Saints Cyrus and John in Seventh- to Thirteenth-Century Rome”; Joe Glynias, “Prayerful Iconoclasts: Psalm Seals and Elite Formation in the First Iconoclast Era (726–750)”; Jordan Pickett, “Water and Empire in the De Aedificiis of Procopius”; Florin Leonte, “Visions of Empire: Gaze, Space, and Territory in Isidore’s Encomium for John VIII Palaiologos”; Anastasia Drandaki, “Piety, Politics, and Art in Fifteenth-Century Venetian Crete”; Julian Baker, Filippo Dompieri, and Turan Gökyildirim with Kelly Domoney, Tuğçe Pamuk, and Irmak Güneş Yüceil, “The Reformed Byzantine Silver-Based Currencies (ca. 1372–1379) in the Light of the Hoards from the Belgrade Gate”; Vasileios Marinis, “The Vision of Last Judgment in the Vita of Saint Niphon (BHG 1371z)”; Daniel Reynolds, “Rethinking Palestinian Iconoclasm”; Athanasios K. Vionis, “Understanding Settlements in Byzantine Greece: New Data and Approaches for Boeotia, Sixth to Thirteenth Century”; Nikos Zagklas, “Experimenting with Prose and Verse in Twelfth-Century Byzantium: A Preliminary Study”; and Christophe Erismann, “Theodore the Studite and Photius on the Humanity of Christ: A Neglected Byzantine Discussion on Universals in the Time of Iconoclasm.”