- Preface
- I. Experiencing Time
- Time and Time Again: On Hearing Reinecke [Nicholas Cook]
- Musical Time, Embodied and Reflected [Lawrence M. Zbikowski]
- Ethnomusicologists and Questions of Temporality [Stephen Blum]
- II. Knowing the Score
- Notation Is One Thing, Analysis Another, Musical Experience a Third: What Can They Have To Do With One Another? [Robert Morris]
- The Modern Score and Its Seven Modes of Performance [Eugene Narmour]
- III. The Passage of Time, Holding Time Still
- On the Last Measure of Schubert’s String Quartet [Scott Burnham]
- In Time with Christopher Hasty: On Becoming a Performer of Robert Schumann’s Davidsbündlertänze, op. 6 [Janet Schmalfeldt]
- Shaping Time [Jeanne Bamberger]
- IV. Finding Time: The Body and Parsing Rhythm and Meter
- Meter, Entertainment, and Voice in The King’s Speech [Eugene Montague]
- Doing the Time Warp in Seventeenth-Century Music [Susan McClary]
- When Swing Doesn’t Swing: Competing Conceptions of an Early Twentieth-Century Rhythmic Quality [Matthew Butterfield]
- V. “Thisness” and Particularities
- Off the Grid: Hasty and Musical Novelty in Smooth Time [Brian Hulse]
- Theory, as a Music [Martin Brody]
- Notes on Contributors
- Bibliography
- General Index
HARVARD PUBLICATIONS IN MUSIC
Isham Library Papers 9
Harvard Publications in Music 24
Music in Time
Phenomenology, Perception, Performance
Product Details
PAPERBACK
$39.95 • £34.95 • €36.95
ISBN 9780964031777
Publication Date: 01/06/2020
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352 pages
6 x 9 inches
43 illus., 5 tables
Harvard University Department of Music > Harvard Publications in Music
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