Harvard Film Studies
Below are the in-print works in this collection. Sort by title, author, format, publication date, or price »
Pursuits of Happiness: The Hollywood Comedy of Remarriage
During the ’30s and ’40s, Hollywood produced a genre of madcap comedies that emphasized reuniting the central couple after divorce or separation. And the female protagonists were strong, independent, and sophisticated. Here, Stanley Cavell examines seven of those classic movies for their cinematic techniques, and for such varied themes as feminism, liberty and interdependence. Included are Adam’s Rib, Bringing Up Baby, and The Philadelphia Story.
Cahiers du Cinéma, The 1950s: Neo-Realism, Hollywood, New Wave
Making Meaning: Inference and Rhetoric in the Interpretation of Cinema
David Bordwell’s new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship.
Cahiers du Cinéma: The 1960s (1960–1968): New Wave, New Cinema, Reevaluating Hollywood
Child of Paradise: Marcel Carné and the Golden Age of French Cinema
The first critical biography of this director of classic films, including the epic historical romance Les Enfants du paradis (Children of Paradise), relates the saga of Carné’s meteoric rise in the 1930s and his decline from critical grace after the war.
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