Harvard Film Studies

Below is a list of in-print works in this collection, presented in series order or publication order as applicable.

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Cover: Pursuits of Happiness: The Hollywood Comedy of Remarriage

Pursuits of Happiness: The Hollywood Comedy of Remarriage

Cavell, Stanley

During the ’30s and ’40s, Hollywood produced a genre of madcap comedies that emphasized reuniting the central couple after divorce or separation. And the female protagonists were strong, independent, and sophisticated. Here, Stanley Cavell examines seven of those classic movies for their cinematic techniques, and for such varied themes as feminism, liberty and interdependence. Included are Adam’s Rib, Bringing Up Baby, and The Philadelphia Story.

Cover: Cahiers du Cinéma, The 1950s: Neo-Realism, Hollywood, New Wave

Cahiers du Cinéma, The 1950s: Neo-Realism, Hollywood, New Wave

Hillier, Jim

Cover: Making Meaning: Inference and Rhetoric in the Interpretation of Cinema

Making Meaning: Inference and Rhetoric in the Interpretation of Cinema

Bordwell, David

David Bordwell’s new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship.

Cover: Cahiers du Cinéma: The 1960s (1960–1968): New Wave, New Cinema, Reevaluating Hollywood

Cahiers du Cinéma: The 1960s (1960–1968): New Wave, New Cinema, Reevaluating Hollywood

Hillier, Jim

Cover: Child of Paradise: Marcel Carné and the Golden Age of French Cinema

Child of Paradise: Marcel Carné and the Golden Age of French Cinema

Turk, Edward Baron

Marcel Carné symbolizes the period, approximately 1930-1945, when French cinema recaptured the creative vitality and prestige it had relinquished almost completely to the American film industry. The first critical biography of this director of classic films, including the epic historical romance Les Enfants du paradis (Children of Paradise), relates the saga of Carné’s meteoric rise in the 1930s and his decline from critical grace after the war.

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The Shadow of God: Kant, Hegel, and the Passage from Heaven to History, by Michael Rosen, from Harvard University Press

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