PERFORMING ARTS: Film: General

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TitleAuthorFormatPublication DatePriceSelect Item
Cover: Widescreen CinemaWidescreen CinemaBelton, JohnE-DITION11/06/1992$65.00Available from De Gruyter »
Cover: Making Meaning: Inference and Rhetoric in the Interpretation of CinemaMaking Meaning: Inference and Rhetoric in the Interpretation of CinemaBordwell, DavidPAPERBACK10/01/1991$49.00
Cover: Envisioning Freedom: Cinema and the Building of Modern Black LifeEnvisioning Freedom: Cinema and the Building of Modern Black LifeCaddoo, CaraHARDCOVER10/13/2014$40.00
Cover: Pursuits of Happiness: The Hollywood Comedy of RemarriagePursuits of Happiness: The Hollywood Comedy of RemarriageCavell, StanleyPAPERBACK01/15/1984$35.50
Cover: The World Viewed: Reflections on the Ontology of Film, Enlarged EditionThe World Viewed: Reflections on the Ontology of Film, Enlarged EditionCavell, StanleyPAPERBACK01/01/1979$37.00
Cover: Making Personas: Transnational Film Stardom in Modern JapanMaking Personas: Transnational Film Stardom in Modern JapanFujiki, HideakiHARDCOVER11/25/2013$49.95
Cover: Human Documents: Eight PhotographersHuman Documents: Eight PhotographersGardner, Robert
Warren, Charles
HARDCOVER11/30/2009$50.00
Cover: Still PointsStill PointsGardner, Robert
Pressman, Adele
HARDCOVER09/10/2018$50.00
Cover: Two or Three Things I Know about Her: Analysis of a Film by GodardTwo or Three Things I Know about Her: Analysis of a Film by GodardGuzzetti, AlfredE-DITION01/30/1981$65.00Available from De Gruyter »
Cover: Babel and Babylon: Spectatorship in American Silent FilmBabel and Babylon: Spectatorship in American Silent FilmHansen, MiriamPAPERBACK03/15/1994$47.00
Cover: Cahiers du Cinéma, The 1950s: Neo-Realism, Hollywood, New WaveCahiers du Cinéma, The 1950s: Neo-Realism, Hollywood, New WaveHillier, JimPAPERBACK10/15/1986$39.00
Cover: Cahiers du Cinéma: The 1960s (1960–1968): New Wave, New Cinema, Reevaluating HollywoodCahiers du Cinéma: The 1960s (1960–1968): New Wave, New Cinema, Reevaluating HollywoodHillier, JimPAPERBACK03/01/1992$38.50
Cover: Moving PicturesMoving PicturesHollander, AnnePAPERBACK03/01/1991$18.95Currently unavailable
Cover: From <i>Hitler</i> to <i>Heimat</i>: The Return of History as FilmFrom Hitler to Heimat: The Return of History as FilmKaes, AntonHARDCOVER01/01/1992$39.00
Cover: Jean Renoir: The French Films, 1924–1939Jean Renoir: The French Films, 1924–1939Sesonske, AlexanderE-DITION01/01/1980$65.00Available from De Gruyter »
Cover: Storytelling in Film and TelevisionStorytelling in Film and TelevisionThompson, KristinPAPERBACK06/30/2003$34.00
Cover: Storytelling in the New Hollywood: Understanding Classical Narrative TechniqueStorytelling in the New Hollywood: Understanding Classical Narrative TechniqueThompson, KristinPAPERBACK11/05/1999$45.50
Cover: Child of Paradise: Marcel Carné and the Golden Age of French CinemaChild of Paradise: Marcel Carné and the Golden Age of French CinemaTurk, Edward BaronE-DITION01/01/1989$65.00Available from De Gruyter »
Cover: Republic of Images: A History of French FilmmakingRepublic of Images: A History of French FilmmakingWilliams, AlanPAPERBACK03/01/1992$50.00
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When France Fell: The Vichy Crisis and the Fate of the Anglo-American Alliance, by Michael S. Neiberg, from Harvard University Press

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Jacket: An Inquiry into Modes of Existence: An Anthropology of the Moderns, by Bruno Latour, translated by Catherine Porter, from Harvard University Press

Honoring Latour

In awarding Bruno Latour the 2021 Kyoto Prize for Arts and Philosophy, the Inamori Foundation said he has “revolutionized the conventional view of science” and “his philosophy re-examines ‘modernity’ based on the dualism of nature and society.” Below is an excerpt from An Inquiry into Modes of Existence: An Anthropology of the Moderns. For more than twenty years, scientific and technological controversies have proliferated in number and scope, eventually reaching the climate itself. Since geologists are beginning to use the term “Anthropocene” to designate the era of Earth’s history that follows the Holocene