PERFORMING ARTS: Film: History & Criticism

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Search Results: 22 found (sorted by date)
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TitleAuthorFormatPublication DatePriceSelect Item
Cover: Muslims in the Movies: A Global AnthologyMuslims in the Movies: A Global AnthologyPetersen, KristianPAPERBACK07/13/2021$29.95Not yet available
Cover: Powers of the Real: Cinema, Gender, and Emotion in Interwar JapanPowers of the Real: Cinema, Gender, and Emotion in Interwar JapanLewis, Diane WeiHARDCOVER10/29/2019$55.00
Cover: Powers of the Real: Cinema, Gender, and Emotion in Interwar JapanPowers of the Real: Cinema, Gender, and Emotion in Interwar JapanLewis, Diane WeiPAPERBACK10/29/2019$29.00
Cover: Amar Akbar Anthony: Bollywood, Brotherhood, and the NationAmar Akbar Anthony: Bollywood, Brotherhood, and the NationElison, William
Novetzke, Christian Lee
Rotman, Andy
HARDCOVER01/04/2016$49.50
Cover: The Collaboration: Hollywood’s Pact with HitlerThe Collaboration: Hollywood’s Pact with HitlerUrwand, BenPAPERBACK10/05/2015$22.00
Cover: Elegy for TheoryElegy for TheoryRodowick, D. N.PAPERBACK09/28/2015$30.00
Cover: Homesickness: Culture, Contagion, and National Transformation in Modern ChinaHomesickness: Culture, Contagion, and National Transformation in Modern ChinaRojas, CarlosHARDCOVER04/06/2015$51.00
Cover: Philosophy's Artful ConversationPhilosophy's Artful ConversationRodowick, D. N.HARDCOVER01/05/2015$45.00
Cover: The Temptation of Despair: Tales of the 1940sThe Temptation of Despair: Tales of the 1940sSollors, WernerHARDCOVER04/28/2014$35.00
Cover: Gothicka: Vampire Heroes, Human Gods, and the New SupernaturalGothicka: Vampire Heroes, Human Gods, and the New SupernaturalNelson, VictoriaPAPERBACK11/18/2013$22.00
Cover: Moscow, the Fourth Rome: Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931-1941Moscow, the Fourth Rome: Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931-1941Clark, KaterinaHARDCOVER11/15/2011$41.50
Cover: Born in Flames: Termite Dreams, Dialectical Fairy Tales, and Pop ApocalypsesBorn in Flames: Termite Dreams, Dialectical Fairy Tales, and Pop ApocalypsesHampton, HowardPAPERBACK04/15/2008$29.50
Cover: Popular Front Paris and the Poetics of CulturePopular Front Paris and the Poetics of CultureAndrew, Dudley
Ungar, Steven
PAPERBACK03/31/2008$32.50
Cover: The Virtual Life of FilmThe Virtual Life of FilmRodowick, D. N.PAPERBACK10/30/2007$34.50
Cover: Cities of Words: Pedagogical Letters on a Register of the Moral LifeCities of Words: Pedagogical Letters on a Register of the Moral LifeCavell, StanleyPAPERBACK10/31/2005$31.50
Cover: Film Noir and the Spaces of ModernityFilm Noir and the Spaces of ModernityDimendberg, EdwardPAPERBACK06/15/2004$40.00
Cover: The Secret Life of PuppetsThe Secret Life of PuppetsNelson, VictoriaPAPERBACK11/01/2003$31.00
Cover: The Emergence of Cinematic Time: Modernity, Contingency, the ArchiveThe Emergence of Cinematic Time: Modernity, Contingency, the ArchiveDoane, Mary AnnPAPERBACK12/27/2002$42.00
Cover: Slaves on Screen: Film and Historical VisionSlaves on Screen: Film and Historical VisionDavis, Natalie ZemonPAPERBACK03/30/2002$30.00
Cover: Storytelling in the New Hollywood: Understanding Classical Narrative TechniqueStorytelling in the New Hollywood: Understanding Classical Narrative TechniqueThompson, KristinPAPERBACK11/05/1999$45.50
Cover: Visions of the Past: The Challenge of Film to Our Idea of HistoryVisions of the Past: The Challenge of Film to Our Idea of HistoryRosenstone, Robert A.PAPERBACK08/04/1998$36.50
Cover: Ministry of Illusion: Nazi Cinema and Its AfterlifeMinistry of Illusion: Nazi Cinema and Its AfterlifeRentschler, EricPAPERBACK10/01/1996$52.00
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Jacket: The Cabinet: George Washington and the Creation of an American Institution, by Lindsay Chervinsky, from Harvard University Press

Why You Should Participate in an (Online) Book Club

Online book clubs can be a rewarding way to connect with readers, Lindsay Chervinsky discovered, when she was invited to join one to discuss her book, The Cabinet: George Washington and the Creation of an American Institution. Since my book was published in April 2020, I’ve discovered that my work appeals to three main audiences. First, the general readers who are enthusiastic about history, attend virtual events, and tend to support local historic sites. Second, readers who are curious about our government institutions and the current political climate and are looking for answers about its origins. And third, history, social studies, and government teachers